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EN
As shown by the finds from the Dřemčice village in North Bohemia, even confrontation of available numismatic and archaeological sources and approaches often do not lead to unambiguous and correct chronological conclusions. Therefore, in cases of unknown or unclear finding context, it is important to apply all available methods based on typological, iconographical, metrological, metallographic data and other criteria. In selected cases, analyses of the artistic aspect of Celtic coins and their pictorial elements in the context of decoration of contemporaneous archaeological artefacts also seem to be of interest. To verify the approach, we selected a Celtic coin from the earlier phase of Central European Celtic coinage and we compared it with decorations of a Hungarian style sword.
ESPES
|
2016
|
vol. 5
|
issue 1
13 – 32
EN
The most often and discussed issue in the analysis of prehistoric art is the problem of interpretation and the problem of understanding of prehistoric artistic artefacts. There are a lot of approaches, but the most popular from the aesthetic and artistic point of view is the interpretation of meaning of prehistoric art. In the present paper we would like to discuss the productivity of iconological and structuralism approach, especially in the interpretation of Celtic art from the area of Slovakia (Slovenská Nova Ves) with application on the statue of a boar. The main problem is the existence of Celtic myth in the written form, which allows us to understand mythological meaning, but also confuses us because of the apocryphal characteristics of this “tales”.
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