Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  CHINESE STAGE
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
Asian and African Studies
|
2012
|
vol. 21
|
issue 2
152 – 173
EN
This essay is an attempt to analyse the first act of the play by the contemporary Chinese playwright Sha Yexin (*1939) Jesus, Confucius and John Lennon (1987) which raised a havoc among the men responsible for the cultural policy in China of the end of the 1980s. It was forbidden after several runs and never performed publicly there. This farcical play imitates the heavenly assemblies as known from the oldest writings from the Near East, Israel and Judah before Christian era and shows the great personalities of religion (Jesus), philosophy (Confucius) and art (Lennon) on the heaven before the fall of the world communist system and prepared to go as the messengers or commissioners of God to both the capitalist and socialist countries of the world, including Red China, to see the life and suffering of millions, or even hundreds of millions of inhabitants. The second, third and four acts are not analysed in this essay.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.