Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 1 ESPES

  2. 1 Musicologica Slovaca

Authors help

  1. 1 Kačic L.

  2. 1 Makky L.

Years help

  1. 1 2013

  2. 1 2012

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  COLLEGE
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

NÁČRT DEJÍN BAROKOVEJ ŠKOLSKEJ HRY SPOLOČNOSTI JEŽIŠOVEJ V PREŠOVE II.

100%
Makky L.
ESPES
|
2013
|
vol. 2
|
issue 2
51 – 60
EN
The aim of the author ́s paper is the issue of the history of Jesuit school theatre, that was developing during the years 1673 to 1773 in the highly protestant environment in the one of the most important reformation centres in Upper Hungary, namely in the independent royal city Prešov. The paper is focus on the history of Jesuit school play in Prešov in background history of Lutheran college in Prešov, that mostly in its first historical stage (1666 – 1711) reflected stormy struggle between Hungarian Habsburg absolutism and the estates company, that is mainly the struggle between catholic and protestant church. Immanent part of the paper is differentiation of one hundred and twenty Jesuit school plays according to individual periods of development of baroque – dramatic theatre production of Jesuits in the city of Prešov and its characterization along the lines of historical records of Jesuit chroniclers as well.
2

HUDBA V ŠKOLSKEJ HRE PIARISTOV NA SLOVENSKU V 17. A 18. STOROČÍ

75%
Kačic L.
Musicologica Slovaca
|
2012
|
vol. 3 (29)
|
issue 2
165 - 194
EN
The article addresses the question, hitherto very little studied in Slovakia, of the Piarist theatre and the part played in it by music. The Piarist school drama, while it has a number of features in common with that of the Jesuits, also differs from the latter in several respects. There is not only a wider thematic scope and a greater stress on secular themes but also a different structure of the school drama in detail. We take as our starting point the relevant passages concerning drama in Vita poetica (1693), an authoritative textbook on poetics by Fr. Lucas Mösch a S. Edmundo SchP. In our text we provide a concise analysis, based on primary and secondary sources, of the level of the Piarist theatre, seen in terms of the musical component, in the individual colleges (the most important of which were in Podolínec, Prievidza and Nitra). A number of performances must have attained an excellent musically standard. In the beginning the Piarists (like the Jesuits) had prominent musicians collaborating in their dramas. However, from the 1770s the musical component of the Piarist theatre fell into gradual decay.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.