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  1. 4 Bohemistyka

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  1. 2 Všetička F.

  2. 1 Heé V.

  3. 1 Změlík R.

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  1. 3 2011

  2. 1 2010

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Tvar Máchových Cikánù

100%
Všetička F.
Bohemistyka
|
2010
|
vol. 10
|
issue 4
291-300
EN
The following components participate in the composition structure od Mácha’s novel: protagonist title, motto (from Polish poets), significant day (Jewish Sabbath), anagnorisis, the background of nature (storm), auxiliary character, auxiliary prop (letters), miles gloriosus and situational framework. A thematic, semantic and compositional axis is created by a stone, around which the crucial actions of the novel take place. At the end of the study K. H. Mácha is compared to his German contemporary Clemens Brentano.
2
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Jan Křesadlo: pojetí a přijetí jeho tvorby

88%
Heé V.
Bohemistyka
|
2011
|
vol. 11
|
issue 3
167-181
EN
Jan Křesadlo is one of the most interesting phenomenon in the Czech literature of late 20th century, yet his literary career was quite exceptional with the author’s exile and very late literary debut. This present report inquires into the main characteristics of Křesadlo‘s art, which are found to be the epic character of his prose, his rationalism, and ironic playfulness. The last point is attended to most in detail. The second part of the report follows the causes why Křesadlo‘s work is having so ambiguous reception and it is finding hardly its place in Czech literary canon. Unusual, nay, unapproved artistic methods, almost ostentatious outsiderness and heedless breaking of taboos seem to be the most probable causes.
3
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Jak je „udělána” Čepova Polní tráva z hlediska zobrazení literární krajiny a prostoru

88%
Změlík R.
Bohemistyka
|
2011
|
vol. 11
|
issue 2
97-112
EN
Author describes a way of construction of literary space in the short story of J. Čep entitled Polní tráva. He emphasizes meaning of prose rhythm described by a writer. Rhythm is the most important component of construction, not only stylistic, but above all of structural and semantic construction of described text. Author is especially looking at scenery, which is a dominating topic of J. Čep’s short story.
4
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Tvarosloví Žertu

88%
Všetička F.
Bohemistyka
|
2011
|
vol. 11
|
issue 2
85-96
EN
The Joke by Milan Kundera is divided into seven parts; the first six parts are narrated as a monologue, whereas the last part is narrated by three persons. The structure of the novel also includes a paradox principle with four types of paradox. The said constructional means are complemented with synchronous moments.
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