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Problemy badań czechosłowackiej kultury popularnej

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Kulmiński R.
Bohemistyka
|
2015
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vol. 15
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issue 3
251 - 268
EN
The beginning of the 21st century gave the Czech reflection on Czechoslovakian culture a new impulse which resulted in many publications and conferences dedicated to this phenomenon. Yet we are still facing an emerging reflection. If we were to disregard singular papers written from the perspective of historical, historico-literary or media studies, the studies of Czechoslovakian popular culture are just starting to develop. In my article, based on conducted research and analyses, I would like to highlight some methodological problems faced by the reflection on the phenomena of Czechoslovakian popular culture which emerges in the Czech Republic, which are the result of the conditions of the communist regime and of often too overwhelming Western European and America tradition which offers tools that are not always suited to the specificity of the reign of the centrally planned economy and the Central European space.
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NICE OTHER: THE SLOVAK IDENTITY IN CZECH FILM AFTER YEAR 1993 (Mily iny: slovenska identita v ceskom filme po roku 1993)

100%
Dudkova J.
Slovenské divadlo (Slovak Theatre)
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2009
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vol. 57
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issue 1
11-23
EN
The representation of Slovak is nearly connected by finding available pictures and national identity of ourselves in Czech film. View of Slovak like a lovable, but most social, culture and economically worse, is the important support component of own national self-confidence. The authoress describes basic trends in representation of Slovak in Czech film in last years, including wider ambit of non explicative 'too Slovak' characters, which are played by actors from Slovakia. She is interested in explicit and implicit indicating of 'too Slovak' concept, from what this concept (seen and cultivated by actual moving picture in Czech Republic) consists of and what are the strategies of its innovation, debugging, even revaluation.
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