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1

TRHLINY V ČESKO-SLOVENSKÉ VZÁJEMNOSTI KONCEM 19. STOLETÍ NA PŘÍKLADU CESTOPISU TERÉZIE VANSOVÉ

100%
Pátková J.
Slovenská literatúra (Slovak Literature)
|
2017
|
vol. 64
|
issue 2
87 – 103
EN
The form of Czech-Slovak mutuality had during the 19th century monolithic character. On the example of travelogue literature in the 19th and the 20th centuries, among other things we can see that difficult historical situation in Slovakia was located then. Terézia Vansová in her travelogue Pani Georgiadesová na cestác/Ms Georgiadesová’s traveling) subtitled Veselý cestopis do Prahy na národopisnú výstavu (1896 – 1897)/Happy travelogue to Prague on an ethnographic exhibition (1896 – 1897)) captures this transformation, along with the transformation of literary and socio-historical code. From the typological point of view an obvious way from hitherto in travelogue genre is in this travelogue. Selection of a fictional narrator instead of the author’s point of view and a female optics story appears in the development of Slovak literature as new one. The author, through a fictional narrator Johanna Georgiadesová thematises mutual (Czech-Slovak and Slovak-Czech) ignorance of culturally and historically closest land. Journey to the Czechoslavic Ethnographic Exhibition held in 1895, occupies a central place in the travelogue and meant for Vansová despite thematisation cracks also strengthening of national self-confidence.
2

HURBANOVA KONCEPCE ČESKO-SLOVENSKÉ VZÁJEMNOSTI NA PŘÍKLADU OBROZENSKÉHO CESTOPISU

86%
Pátková J.
Slovenská literatúra (Slovak Literature)
|
2018
|
vol. 65
|
issue 3
165 - 182
EN
The study focuses on the conception of Czech-Slovak mutuality in one of the key travel texts of the 19th century, in the Hurban‘s Cesta Slováka ku bratrům slavenským na Moravě a v Čechách (Path of the Slovak to the Slavic brothers in Moravia and Bohemia) in 1839 (1841). As a type of so-called National Revival travelogue, it carries a number of stereotypical constructions, which are used in other texts of travelogue genre of the 19th century in the Czech and Slovak literature. The National Revival type of travelogue had a precise function, relying on modelling the positive representation of Slavic mutuality or Czech-Slovak mutuality in the thirties and 40-ties of the 19th century. Hurban's travelogue reflects this developmental position in the form of an emblematic capture of the landscape, with emphasis on meta-linguistic reflections on common language and modelling of stereotypical constructions in imaging close and different ethnicities. The study analyses the text in relation to both Czech and Slovak pretexts, which together form a specific paradigm system of national emblems and symbols.
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