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EN
The paper focuses on the literary representations of Bratislava in Czech travelogues and formulates various narratives of those depictions of the city that are related to the establishment of the Czechoslovak Republic in 1918. The paper compares Karel Kálal’s and Ivan Hálek’s travelogues of the so-called pre-coup period – the period before 1918 – with texts of the same genre written during the First Czechoslovak Republic (Jakub Deml, Josef Váchal, Karel Čapek, Marie Majerová, S. K. Neumann). The travelogues drew attention to the traditional culture of Slovaks (represented by Karel Plicka’s photographs) and sought new forms of Czech-Slovak relations in the political atmosphere of the so-called Czechoslovakism. Bratislava, which entered new cultural relations with the establishment of the new republic, occupied a specific place in these. The reconstruction of the image of Bratislava in the analysed texts shows that it did not become the main symbol of the changes that took place after 1918. The travelogues represent it only marginally and Bratislava corresponds to the perspective of the so-called null morpheme. The article employs the theory of imagology and, marginally, also theories of post-colonialism.
EN
The paper presents current research in the field of Slovak linguistics at the Faculty of Arts of Charles University, Czech Republic. The paper highlights the characteristic features observable in the research of the Slovak studies unit that was established within the Department of Slavic Studies in 1994 soon after the dissolution of the Czech-Slovak federation. The Slovak linguistic research carried out by the department in the context of the independent Czech Republic is characterized by (1) a focus on the changed Czech–Slovak relations, (2) an interest in communicating Slovak linguistic research globally and (3) interdisciplinarity. The paper presents research results as a part of academic life, taking into account historical connections and the changing institutional conditions of the past decade or so.
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