The text is an analysis of Andrzej Baranski's film 'Fotografia jest sztuka trudna' (1998), the adaptation of the humourous columns by Stanislaw Czycz, printed on the pages of the 'Przekrój' magazine in the years 1964-1969. The perverse hobby column was made up of mistaken pictures and commentaries by the amateur photographer. The author proposes a thesis that thanks to the adaptation of the peculiar content, Baranski managed to make a self-thematic film on the ontology of cinema and on the questions given to representation.
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