Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Callimachus
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Callimaco, Apollonio ed il tentato furto di Mirtale: un processo per plagio nel mimiambo 2 di Eronda

100%
Piacenza N.
Eirene. Studia Graeca et Latina
|
2016
|
vol. 52
|
issue 1-2
323-339
EN
The article offers a metapoetic reading of Herondas’ second Mimiamb, in which Battaros should be identifi ed with Callimachus, Thales with Apollonius of Rhodes and Myrtale with the poetic production of Callimachus himself. According to this approach, the real aim of the mimiamb could be the ironic description of Callimachus (portrayed as a greedy brothel-keeper) accusing Apollonius of stealing his poems: the Koan jury (probably the poets around Philetas) will have to judge, in fact, a case of plagiarism.
2

Κ-Σ-Γ-Ν-Τ-Ν: Callimachus’ Epigram 1,16 Pfeiffer

88%
Kozlowski J. M.
Eirene. Studia Graeca et Latina
|
2014
|
vol. 50
|
issue 1-2
111-113
EN
A previously undetected wordplay at Callimachus, Epigram 1,16 supplies an unambiguous answer to the question that the stranger from Atarneus poses to the sage Pittacus: “Which one should I marry?”
3

Wieczne śniegi i kwietne łąki w poezji Filipa Kallimacha

51%
Głombiowska Z.
Pamiętnik Literacki
|
2024
|
vol. 115
|
issue 1
133-152
PL
Artykuł dotyczy dwóch przeciwstawnych obrazów Polski opisanych w elegiach Filipa Buonaccorsiego Kallimacha. Bardzo zwięzłe, stereotypowe określenia Polski jako kraju północnego, okrytego śniegiem i lodem, służą wskazaniu miejsca akcji i miejsca pochodzenia Fannii, bohaterki i adresatki zbioru, oraz kilku innych znanych postaci, a także pozwalają – poprzez antytezy (np. barbarzyński kraj a uroda, barbarzyński kraj a twórczość literacka) – na amplifikowanie ich pochwał. Istotniejsze znaczenie mają opis polskiej zimy jako jednej tylko z pór roku oraz opisy ciepłej wiosny i lata. Kallimach pierwszy – na długo przed Janem Kochanowskim – przedstawia Polskę na wzór bukolicznego locus amoenus i Horacjańskich pieśni wiosennych I 4 i IV 7 oraz na wzór antycznych pochwał wsi znanych z elegii rzymskiej i epody 2 Horacego. Pierwszy wprowadza też motyw kwietnego wianka, który dziewczyna oddaje chłopcu na znak miłości.
EN
The paper refers to two contradictory images of Poland contained in elegies by Filippo Buonaccorsi Callimachus. Quite concise, stereotypical descriptions of Poland as a northern country covered with snow and ice serve to locate the place of action and the origin of Fannia—the heroine and the addressee of the collection as well as of a few other familiar characters. Furthermore, with antitheses (e.g. barbarian country versus beauty, barbarian country versus literary creation), the descriptions allow to amplify their admiration. Further descriptions are considered more vital, namely that of Polish winter as one of the seasons, and those of warm spring and summer. Callimachus was the first, long before Jan Kochanowski, who offered a vision of Poland based on pastoral locus amoenus and Horatian spring odes (I 4 and IV 7) and patterned on ancient praises of countryside, known from the Roman elegy and Horace’s 2nd epode. He was also the first to use the motive of flower chaplet that a girl gives to a boy as a sign of love.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.