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"Carol"

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Włodek P.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
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2016
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issue 8(1) "Rozwiązania antydyskryminacyjne w edukacji formalnej"
172-173
XX
Recenzja filmu "Carol"
2
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„Kolęda, Nowe Lato i Szczodry Dzień” — geneza, rozwój i schyłek gatunku w XVII wieku

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Kuran M., Uniwersytet Łódzki W. F., Michał Kuran — studia polonistyczne ukończył w roku 1996 na Uniwersytecie Łódzkim. Od roku 1998 pracuje w Katedrze Literatury Staropolskiej i Nauk Pomocniczych tej uczelni. Stopień doktora uzyskał w roku 2003 z. d. h. w. r. O. r. p. f. w. I. F. P., kuranmi@uni.lodz.pl
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2014
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vol. 25
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issue 3
EN
The article is proving that works arisen from the tradition of wishing carol, in which titles appeared a formula „Carol, The New Year and the Generous Day”, constitute a separate literary genre. What is more, works, which belong to it could exist in two forms: unified and cyclical. The genesis of the genre is regarded to appear in combining into one group the motives and symbols of the Christian holidays (from the Christmas through the Circumcision / the New Year to the Epiphany). These types of lyrics were printed from the very beginning to the half of the 17th century. The article therefore is creating the profile of dozen texts saved to our times.
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The Religious Carol in Transylvania –Function and Symbol

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Streza D. A.
Review of Ecumenical Studies Sibiu
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2016
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vol. 8
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issue 1
76-84
EN
In the context of Romanian folkloric tradition, the carol represents one of the oldest cultural elements. The first part of this article defines the genre and functions of the Romanian carol, and explains that its basic function is the conveyance of wishes, referring to all aspects of the social and personal life of the recipient. As far as the nature of the carol is concerned, the second part of the article reveals some characteristics of the sense and symbol of the religious carol, concluding that carols are part of those traditional texts and melodies that can be called Eucharistic chants. Their preservation and practice in different areas of the country highlight their worth, as they essentially represent liturgical echoes arising from the ethnogenesis of the Romanian nation.
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