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EN
The article deals with the issue of literary images of one of the aspects of old age, i.e. with finalities, in the works of Aleksander Majkowski, Beno Budar and PetreM. Andreevski. An important criterion for choosing these particular writers — aKashubian, an Upper Sorbian and a Macedonian — was the fact that all were/are representatives of border literatures belonging to the Slavic genre, threatened to acertain extent and by various factors. The analysis of the image of old age and finalities in their works showed that this theme is gaining particular importance in these literatures/cultures, being subject to the process of semiotization, whereas its exploitation in the examined literary works was in part due to the impact on each of the literatures of different external factors.
RU
Во статијата се анализираат литературните реализации на еден аспект на староста-последноста во текстовите на Александер Мајковски, Бено Будар и ПетреМ. Андреевски. Важен критериум за изборот на овие писатели — на Кашубот, на Горниот Лужички Срп и на Македонец — е фактот дека сите беа/се претставници на граничните ареали на словенските литератури, до одреден степен и од страна на различни фактори загрозени. Анализа на слика на староста-последноста во текстови на Мајковски, Будар иАндреевски покажа дека оваа тема е за сите литератури/култури од особено значење, подлагајќи на процесот на семиотизација, дури и ако неговата генеза мора да се гледа како резултат од влијание насекоја од нив на различните надворешни фактори.
EN
In the article an attempt is made to determine the most important reasons why the percep­tions of physical love in Upper Lusatian and Cassubian literatures are so rare. Determinants of this situation are beyond literary system (non-literary) and immanent in nature. The main caus­ative factors of the scope of the latter include the formal and thematic limitations inherent in the “small” literatures: limited literary communication (few authors, texts, readers), reductions in non-canonical genres and themes, dominating patriotic message of the literary works. The under­lying decentralising factors include: the fact that the dominant group among the writers of both minorities were male priests, social and religious conservatism of both societies, blocking (until 1945) the development of women’s literature, understanding literature as amanifestation of high culture in which there is no place for sexuality (which is an opposition to folk literature, immodest in this respect, of both minorities), and consequently, sacralisation of both languages resulting from thisfact.
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