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EN
Catholic modernism, an intellectual trend that developed within the Catholic Church in the late nineteenth and early twentieth century, sought to rebuild the Church and to modernise its teaching methods. It combined tradition and modernity, and it was at the level of literature that such link was made – a medium whose effect on religious belief was significant. Due to its reformist tendencies modernism was often called “the new Protestantism.” St. Francis was also the patron of the quest for renewal. A resurgence of interest in the saint was noted in the late nineteenth and early twentieth century among Anglicans, Lutherans, and Protestants. St. Francis represented such qualities that all Christians, regardless of denomination, see as a perfect incarnation of the principles of the Gospel. Protestants (followed by Catholic modernists) portrayed him as a reformer of the thirteenth-century Church and a patron of the “new reformation.” In a natural way, he combined and renewed, or actually restored the teaching of Christ. In the Young Poland era, the approach to St. Francis was largely shaped by the book Life of St. Francis of Assisi by Paul Sabatier. Traces of its reception can be found in most Catholic publications of the period devoted to the life and work of the saint.
Dzieje Najnowsze
|
2020
|
vol. 52
|
issue 4
151-164
EN
The article is a survey of the most recent American publications on the history of the Catholic Church in the twentieth century. The analysed works are part of the intellectual history, and seek to trace various trends of Catholic thought that culminated during the Second Vatican Council. The analysis of American studies makes it possible for us to indicate the following features of the described approach to the history of the Church: the focus on secular actors, appreciation of trends contesting the orthodoxy and conservative tendencies in the Church as well as the presentation of the experiences of countries in which Catholicism functioned in a dispute with other currents of thought (France, Germany).
PL
W artykule dokonano przeglądu najnowszych publikacji amerykańskich dotyczących historii Kościoła katolickiego w XX w. Omówione prace wpisują się w nurt intellectual history, stanowiąc próbę prześledzenia rożnych nurtów myśli katolickiej, które kulminację osiągnęły w czasie Soboru Watykańskiego II. Analiza amerykańskich opracowań pozwala wskazać następujące cechy opisywanego podejścia do historii Kościoła: koncentracja na aktorach świeckich, docenienie nurtów kontestujących ortodoksję i konserwatywne nurty w Kościele oraz omówienie doświadczenia krajów, w których katolicyzm funkcjonował w sporze z innymi nurtami myśli (Francja, Niemcy).
EN
Catholic modernism, an intellectual trend that developed within the Catholic Church in the late nineteenth and early twentieth century, sought to rebuild the Church and to modernise its teaching methods. It combined tradition and modernity, and it was at the level of literature that such link was made – a medium whose effect on religious belief was significant. Due to its reformist tendencies modernism was often called “the new Protestantism.” St. Francis was also the patron of the quest for renewal. A resurgence of interest in the saint was noted in the late nineteenth and early twentieth century among Anglicans, Lutherans, and Protestants. St. Francis represented such qualities that all Christians, regardless of denomination, see as a perfect incarnation of the principles of the Gospel. Protestants (followed by Catholic modernists) portrayed him as a reformer of the thirteenth-century Church and a patron of the “new reformation.” In a natural way, he combined and renewed, or actually restored the teaching of Christ. In the Young Poland era, the approach to St. Francis was largely shaped by the book Life of St. Francis of Assisi by Paul Sabatier. Traces of its reception can be found in most Catholic publications of the period devoted to the life and work of the saint.
Studia Bobolanum
|
2021
|
vol. 32
|
issue 1
135-153
EN
The article analyses and interprets the theme of the Catholic temple, present in selected literary works by Władysław Reymont. There has been defined the way this motif functionalized in the discourse on the experience of faith created by the writer, constructed with the help of references to, the characteristic of the epoch, fascination with art and the value of life in its depth and dynamics. By reading the axiology of the Catholic temple established in Reymont’s works – as a space for experiencing thesacrum through the Church – it was also possible to define the writer’s attitude to the idea of Catholic modernism, which, in the perspective of the analyses made, does not fit into the worldview of the Polish Nobel Prize winner.
PL
W artykule zanalizowany i zinterpretowany został motyw katolickiej świątyni obecny w wybranych utworach literackich Władysława Reymonta. Określony został sposób funkcjonalizowania się tego motywu w tworzonym przez pisarza dyskursie na temat doświadczenia wiary, konstruowanym przy pomocy odniesień do właściwej epoce fascynacji sztuką oraz wartością życia w jego głębi i dynamice. Poprzez odczytanie ustanowionej w utworach Reymonta aksjologii katolickiej świątyni – jako przestrzeni doświadczania sacrum za pośrednictwem Kościoła – możliwe stało się również określenie stosunku pisarza do idei modernizmu katolickiego, który w perspektywie dokonanych analiz nie mieści się w horyzoncie światopoglądowym polskiego noblisty.
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