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Poland and Poles During the Great Twilight. The Problem of Patriotism in the Diary of Cezary Jellenta

100%
Dobrowolska J.
Prace Literaturoznawcze
|
2019
|
issue 7
89-104
EN
In my article I describe how the concept of ‘patriotism’ functions in the literary works of CezaryJellenta. I believe that in the historical period following the recreation of the independent Polishstate many important problems and doubts arose. In this article the subject of my interpretation isJellenta’s diary Wielki zmierzch [The Great Twilight] (1925) about the times of the First World War.I begin with an account of Jellenta’s revolutionary activity in 1905 (he was the editor-in-chief of“Ateneum” at that time). In the main, analytical, part I present his critical view of Poland and Poleson the eve of Independence Day. I distinguish three main groups of problems: the future Polish stateas an idea and a political conception, the Polish nation, and the concept of patriotism. I show howJellenta himself understood the notion of patriotism at that particular time. I refer to the19th-centurypatriotic traditions and political myths as well as the concept of national character. In the last part ofmy article I confront Jellenta’s diary Wielki zmierzch with his study about Josef Pilsudski.
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„Odgadnąć i uzewnętrznić wielką tajemnicę […] Chopinowskiej muzyki” – Dusze niektórych melodii. Chopin Cezarego Jellenty

86%
Orłowska K.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2021
|
issue 41
265-299
EN
The article constitutes a detailed analysis and interpretation of one of the most important texts written at the turn of the twentieth century, which was devoted to the reception and interpretation of Frédéric Chopin’s compositions in the Young Poland period. In his work, Cezary Jellenta presents the nervous perception of the Polish composer’s music typical of the era and refers in his reflections to numerous works of painting and both Polish and world literature, which perfectly illustrates the fascination with the idea of the correspondence of arts. It is also a testimony to the foundations of the emerging music criticism and evidence of the undying adoration for Frédéric Chopin’s works.
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