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Ślady Swedenborga w twórczości Baudelaire’a i Balzaca

100%
Jabłonko O. A.
Estetyka i Krytyka
|
2010
|
issue 19
53-59
EN
The paper is concerned with several ideas contained in the writings of the 19th century French Symbolists. The author argues that the poetry of Charles Baudelaire and the prose of Honoré de Balzac bear the hallmarks of some notions originated in the thought of Swedish hermetic philosopher Emanuel Swedenborg. The analysis focuses on three main topics, namely, the myth of the Androgyne, the concept of the Cosmic Man and the correspondence principle, to which Maeterlinck adheres in his critical writings and similarly Baudelaire in his poems as well as Balzac in his novels.
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Jan Neruda padesátých a šedesátých let jako baladik: nejistota životního určení a smysl moderní literatury

51%
Blinková Pelánová E.
Česká literatura (Czech Literature)
|
2023
|
vol. 71
|
issue 1
24-51
EN
The present study deals with Neruda’s authorial work on certain themes and (balladic) narratives. Broader intertextual and comparative interrogation takes into account the emergence of the pre-romantic or sentimental ballad (with focus on texts by Bürger, Goethe and Poe). Balladicity, as we call the discussed feature of Neruda’s own poetics, makes it possible to link up the interpretive starting points available for the Tales of the Lesser Quarter and the Arabesques with the author’s poetry, as we demonstrate in his Books of Verse. In light of several interpretative surveys and Baudelaire’s approach to quotidianity and modernity, the study concludes by Neruda’s idea of a historically conditioned and humanly valid artistic “truth”.
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