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Kafka i Chiny

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PL
The article discusses the motifs inspired by the Chinese culture in Franz Kafka’s work. The main part is devoted to the interpretation of the short story The Great Wall of China, written by Kafka in the turbulent year of 1917, the year of World War and the revolution. However, the author also refers to the current international research literature to demonstrate that the Chinese inspirations of the writer from Prague are widely reflected in his other texts and biographical testimonies.
EN
This article analyses a part of a new phenomenon occurring in Chinese poetry of the 1980s — after decades of denying the domestic tradition, some of the so-called Third generation poets started to find their way back to it. Unlike the more popular “searching for the roots” movement authors, however, poets like Shi Guanghua, Song Qu and Song Wei, Cheqianzi, and Daxian, whose poems are the subject of this analysis, turned mainly to its classical part. In various ways they incorporated elements of classical Tang and Song poems, as well as references to the well-known traditional works, into their own (fundamentally modern) poetry. The term “neoclassicism” (xin gudianzhuyi) comes from an eccentric theory of Chen Zhongyi, further developed by Olga Lomová in her unpublished paper. Based on our own analysis, we attempt to identify the ways in which modern poetry approaches this tradition, and to qualify in which sense this is to be considered a return to tradition.
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