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Entfremdung und Verfolgung als Motive Christoph Heins Roman Horns Ende

100%
Walicki T.
Lublin Studies in Modern Languages and Literature
|
2008
|
issue 32
114-128
EN
Christoph Hein, born in Lower Silesia, is one of the most prominent writers in the literature of the German Democratic Republic. In the 1980s as an author Hein became one of the most outspoken critics in his country, taking active part in the political activities of the GDR. Hein’s prose is based mainly on the history of the GDR, on facism and the post-war period. In 1985 his first novel titled Horn’s Death was published. Narrated by the characters, the story is woven around Horn’s suicidal death in 1957. In his novel Hein strived to reflect the problems of one’s alienation and humiliation as well as the image of the GDR regime and the nazi time. It was for the reasons of alienation and political persecution that Hein chose to commit suicide.
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Das Recht auf Vergessen? Zu konkurrierenden Modellen der Vergangenheitsaufarbeitung in Christoph Heins "Glückskind mit Vater"

80%
Tomasi-Kapral E.
Convivium. Germanistisches Jahrbuch Polen
|
2018
129-147
PL
Artykuł proponuje analizę powieści pod kątem zawartych w niech odniesień do najnowszej historii Niemiec i modeli radzenia sobie z nią. Autorka zwraca uwagę na różnice we wschodnio- i zachodnioniemieckiej polityce historycznej po 1945 roku i konsekwencje, jakie z nich wynikały dla obu społeczeństw niemieckich. Podkreśla przy tym ważną rolę literatury w procesie tworzenia pamięci kolektywnej o niewygodnej, bo często traumatycznej przeszłości.
EN
The article presents an analysis of various models of coping with recent German history as depicted in the novel. The author of the article draws attention to the differences between East German and West German historical policies after 1945 and the consequences of these policies for both German societies. She emphasises the important part literature plays in the process of creating a collective memory of an uncomfortable, and often traumatic, past.
DE
Analysiert wird der Roman im Hinblick auf die Bezüge zur deutschen Geschichte und zu Modellen ihrer Aufarbeitung. Betont werden die Unterschiede zwischen der ost- und westdeutschen Geschichtspolitik nach 1945 und ihre Konsequenzen für die beiden Gesellschaften. Ersichtlich wird dadurch die wichtige Rolle der Literatur im Prozess der Herausbildung des kollektiven Gedächtnisses im Hinblick auf die traumatischen Aspekte der Vergangenheit.
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