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1

Daleko od nigdzie

100%

Kowalczyk A.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2017

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vol. 17

245-249

PL

Far away from nowhere Abstract The person of and texts of Joseph Roth were used by Claudio Magris in his work to showa complex analysis of the Jewish intellectual culture of the beginning of 20th century – thewriting of Roth is a counterpoint to general considerations of writings of other Jewishintellectualists and to indicate differences and similarities between them. Especially WalterBenjamin is the one of the most recalled name in the work of Magris. An essayistic style of thewriter places his work among scientific work and artistic text. Keywords: Mitteleuropa, Claudio Magris, Józef Roth

2

"Wszystko już tu było, od samego początku" - "Mikrokosmosy" Claudia Magrisa jako triesteńska auto/bio/geografia

75%

Chwaja N.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2017

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vol. 17

183-199

PL

„It was all there already, from the beginning” – Microcosms by Claudio Magris as a Triestineauto/bio/geography Abstract The aim of my article is to study the relation between the subject and the city, focusing on thecase of an autobiographic essayistic novel by a contemporary Italian writer Claudio Magris.The space of Trieste, author’s native city, plays a multiple role in the Microcosms narration.On one hand, it works as a “mnemotechnical pretext” for the protagonist’s sentimentaljourney into the past, both individual and collective. On the other hand, the city space canbe seen as an active factor, shaping the hero’s “triestine” state of mind and reflecting itself inthe novel’s poetics. In my analysis, I refer to some essential categories of geopoetics (“auto/bio/geography” by Elżbieta Rybicka, Tadeusz Sławek’s and Stefan Symotiuk’s interpretationsof genius loci), as well as to Walter Benjamin’s oeuvre, which I consider one of the mostimportant Microcosms’ intertexts. Keywords: Claudio Magris, Trieste, city, auto/bio/geography, space, genius loci

3

Claudio Magris: dialektyka harmonii i rozpadu

65%

Dąbrowski M.

Porównania

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2012

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vol. 11

53-60

EN

The article is dedicated to the essayistic work of Claudio Magris, a great Italian essayist and researcher of culture in Eastern Europe and the Balkans. Magris’ well-known works such as “Microspaces”, “The Danube” and “Endless travels” constitute the foundation for the discussion. The author of the article extracts important plots in Magris’ works such as nostalgia and melancholy, harmony and disintegration. He carries out an analysis of Magris’ writings bymeans of referring the above mentioned plots to the world in which the author of “The Danube” sees the roots of the most important in his opinion values of Central Europe. It is a world of the non-existent Austro-Hungarian monarchy from before 1918 shown in the context of the fall of humanism, moral norms and absolute relativism.

PL

Artykuł jest poświęcony twórczości eseistycznej Claudio Magrisa, wybitnego włoskiego eseisty i badacza kultur z obszaru Europy Środkowej oraz Bałkanów. Podstawa rozważań są znane prace Magrisa, zwłaszcza „Mikrokosmosy”, „Dunaj”, „Podróż bez końca”. Autor artykułu wydobywa ważne wątki twórczości Magrisa: wątek nostalgii i melancholii, harmonii i rozpadu. Dokonuje analizy myśli Magrisa, odnosząc wskazane wątki do świata, w którym autor „Dunaju” zakorzenia, najważniejsze według niego, wartości Europy Środkowej. Jest to świat nieistniejącej austro-węgierskiej monarchii sprzed roku 1918, pokazany w kontekście współczesnego rozpadu humanizmu, norm moralnych i totalnego relatywizmu.

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2 Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

1 Porównania

1 Chwaja N.

1 Dąbrowski M.

1 Kowalczyk A.

2 2017

1 2012

Daleko od nigdzie

"Wszystko już tu było, od samego początku" - "Mikrokosmosy" Claudia Magrisa jako triesteńska auto/bio/geografia

Claudio Magris: dialektyka harmonii i rozpadu