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Rozpoznawanie w przekładzie. O literaturze polskiej w Chorwacji

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Čilić Đ.
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
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2022
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issue 11
131-145
EN
In this article, I have tried to draw an image of Polish literature in Croatian culture in the period from 2011 to 2021, based on bibliographies and articles on translations in Croatian cultural and literary magazines and on internet portals. The analysis shows that the publishers’ choices aim for commercial titles, but the bibliographies of the most agile translators indicate that the overall image of Polish literature in Croatian translations is dominantly built with the names of canonical titles and authors.
PL
Celem artykułu jest nakreślenie obecności literatury polskiej w kulturze chorwackiej w okresie od 2011 do 2021 roku na podstawie bibliografii i artykułów o tłumaczeniach zamieszczonych w chorwackich czasopismach kulturalno-literackich oraz na portalach internetowych. Z analizy wynika, że wydawcy wybierają najczęściej tytuły komercyjne, natomiast bibliografie najbardziej cenionych tłumaczy wskazują, że ogólny obraz literatury polskiej w przekładach chorwackich budowany jest głównie na podstawie nazwisk kanonicznych tytułów i autorów.
2
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Osvrt na bibliografiju hrvatskih prijevoda iz poljske književnosti u 2014. godini

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Rogić Musa T., Majdzik K.
Przekłady Literatur Słowiańskich
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2015
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vol. 6
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issue 2
63-78
HR
Rad se stručno bavi prijevodima iz poljske književnosti na hrvatskom jeziku, objavljenima u Hrvatskoj tijekom 2014, na osnovi bibliografskoga uvida u prijevodna izdanja. Sažeto i informativno donosi komentare o svakom izdanju, njegovu književnom profilu, prevoditelju i izdavaču, te se sumarno osvrće na percepciju o poljskoj književnosti koju prijevodi omogućuju i narav kulturne razmjene koja se zahvaljujući njima ostvaruje.
EN
The paper deals with professional translations of Polish literature into Croatian language, published in Croatia in 2014, based on bibliographic access to translation issues. Concise and informative comments of each publication, its literary profile, its translator and publisher, as well as the summary, refer to the perception of Polish literature and the nature of cultural exchange that is achieved thanks to the translations.
3
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Dvadeset pet godina bilježenja prijevoda: hrvatsko i poljsko ogledalo

84%
Gverić Katana P., Kurtok A.
Przekłady Literatur Słowiańskich
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2016
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vol. 7
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issue 2
35-52/53-72
HR
U članku se skicira slika hrvatske književnosti u ciljnoj, poljskoj kulturi, kao i vice versa, koje se formiraju tijekom 25 -godišnjeg razdoblja. Temelji se ona uglavnom na bibliografijama i komentarima objavljenima u časopisu „Przekłady Literatur Słowiańskich”, koji već desetak godina sustavno i detaljno bilježi i opisuje prijevode slavenskih književnosti. Analiza monografskih izdanja, kad je hrvatska književnost u pitanju, pokazuje da izbor poljskih prevoditelja pada na egzilnu literaturu, koja dobrim dijelom nije bila smatrana kanonom, te djela autora s graničnih područja jezika i kultura bivše Jugoslavije, i tematski se veže uz jugonostalgiju, ratne traume i potragu za identitetom. Hrvatska književnost — i kultura — u Poljskoj često stoga nose ponajprije odrednicu „balkanskog” i „postjugoslavenskog”. S druge strane, poljska književnost u hrvatskim prijevodima uglavnom se predstavlja reprezentativnim autorima, čiji se opus smatra kanonskim i u izvornoj kulturi. Ogledanje jedne kulture u drugoj donosi širu sliku predstavljanja Drugoga i otvara problem odnosa kulturne auto - i heteropredodžbe.
EN
In this article, we have tried to draw an image of Croatian literature in Polish culture, as well as vice versa, in the last 25 years, based on bibliographies and articles on translations in PLS. It has been concluded that, due to translators’ choices of Croatian exile literature, works perceived in the source culture as non -canon, themes related to war, Yugonostalgia and authors whose work belong to the “borderline” of a few nations, Croatian literature in Poland exists as “Balkan” literature. On the other hand, choices of Polish literature in Croatia mainly concerns classic Polish authors. Both cases draw a wider picture of national imagery — a hetero -image — in the target culture.
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