Results found: 1

Search results

Search:
in the keywords: Czarne kwiaty

Sort By:

Limit search:

Dlaczego Cyprian Kamil Norwid przeciął pamiątkowy rysunek z Egiptu od Juliusza Słowackiego ? O prywatności w Czarnych Kwiatach

100%

Szczeglacka-Pawłowska E.

Colloquia Litteraria

2014

vol. 17

issue 2

33-47

Why Cyprian Norwid tore a souvenir drawing from Egypt from Juliusz Słowacki? The article treats of the issues of privacy and informality in Cyprian Norwid’s Czarne kwiaty [Black Flowers]. The poet wrote about events from the lives of individuals whose status was public. He wrote, among others, about informal meetings, universalising their meaning. He published the piece in a monthly insert to Czas daily newspaper. A question arises whether Norwid had the right to unveil the privacy of these people. Did he ask them to let him exploit very private moments from their lives? A scene from the drama, where the narrator (the author of Czarne kwiaty) cuts a souvenir drawing from Juliusz Słowacki – he sends one half to Poland and keeps the other to himself – reveals the quintessence of the piece. By cutting the drawing from Egypt Norwid made it into two pieces; at the same time he destroyed a souvenir from Słowacki and, in a certain sense, those things that were the most private in relationships with particular people.

Refine search results

1 Colloquia Litteraria

1 Szczeglacka-Pawłowska E.

1 2014

Search results

Dlaczego Cyprian Kamil Norwid przeciął pamiątkowy rysunek z Egiptu od Juliusza Słowackiego ? O prywatności w Czarnych Kwiatach