The article goes back to the prosaic and the poetic work by František Hrubín. The essay recalls poetry and segments of prose texts. Monitors the motifs and themes of old age and death. It quotes and interprets the verse, dominated by themes of time, aging, age as of a man from birth to death. Significant contrast is a man-child, an old man and a boy. We recognize the weight of the race, it determines the importance of grandfathers, fathers and grandsons. Thedeath of grandfather determines the lives and values of grandson and of the young man. Aman becomes a father, a man becomes a grandfather, a man remains forever a boy — are also determining the transformation work by František Hrubín. Old age and death are enduring a full part of human life.
RU
Cтатья возвращается к поэзии и к прозе Франтишка Хрубина, напоминает стихи ипрозаические тексты, для которых центральными мотивами становятся старение и смерть. Мониторирует восприятие времени Хрубина, созревания, старения, возраст постепенной продолжительности человека от рождения до смерти. Цитирует и интерпретирует стихи, вкоторых преобладают темы времени, старения, старения — постепенной продолжительности человека от рождения до смерти. Значительные контрасты: человек–ребенок, старик–мальчик. Обнаружив вес семье, она определяет важность дедов, отцов и внуков. Смерть деда определяет жизнь внука имолодого человека. Человек становится отцом, человек становится дедушкой, человек навсегда останется мальчиком. Старость и смерть переживaют полнyю часть человеческой жизни.
The article is an attempt to re-interpret Knížka s červeným obalem by Alexandra Berková which is shown as a text having very strong connotations with works of European literature. The author of the article indicates many intertextual references that can be found in the Berkova’s text both on the intertexual, as well as hypertextual level (according to Gérarde Genetta’s thypology), which relate to the output of writers such as primarily James Joyce, but also Bohumil Hrabal, Josef Škvorecký or Giacomo Boccacio. Despite previous classification of Knížka s červeným obalem as a short stories cycle, the author proves that the text is a novel that reflects the scheme of a Bildungsroman and a metaphorical picture of women’s experiences, women who live through each stage of their lives and at the same time search for the possibility of expressing themselves in the text of culture. The article discusses also the issue of écriture feminine and the question whether Berkova’s text can be classified as “women’s writing”.
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