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in the keywords: Czeslaw Milosz, genetic criticism, creative writing process, literary draft, manuscript, textual closure, Beinecke Rare Book and Manuscript Library

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„Miłoszologia” i „krytyka genetyczna” (rekonesans)

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Antoniuk M.

Świat i Słowo

2015

vol. 13

issue (2)25

112-133

In the first section of this article author regards two poems: Beinecke Library and Pierson College. According to the author, each of them reveals Miłosz’s sensitivity of literary manuscript and it’s material form. The second section concerns the possibility of “methodological alliance” between the studies on Czesław Miłosz’s literary works and the so called “genetic criticism”. The third and most important section is focused on the drafts of three Miłosz’s poems: To co pisałem (What I was writing), Siegfried i Erika (Siegfried and Erika) and Pory roku (The Seasons). In all this cases we can see the repetition of one typical way of textual creation: the poem was formerly a bit longer, but Miłosz has finally decided to strike out the original closure of the text and, consequently, to establish the new punchline. The last, fourth section enunciates the project of new monographic books, which would be entirely dedicated for Miłosz’s creative writing process.

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1 Świat i Słowo

1 Antoniuk M.

1 2015

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„Miłoszologia” i „krytyka genetyczna” (rekonesans)