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Asian and African Studies
|
2013
|
vol. 22
|
issue 2
227 – 247
EN
The purpose of this paper is to analyse the transformation of Oscar Wilde’s Salome in modern Chinese fiction. Some writers borrowed something, either little or much, from Salome whose influence has extended from drama creation to fiction creation. Thus, Modernism in their sense equates more or less to Modengism or Fashionism and gives forth a commercial breath. As a factor, the influence of the Aesthetic and Decadent movement is often taken into a larger movement of Romanticism.1 Modengzhuy 摩登主义 Modengism is a Chinese term for the Aesthetic and Decadent literary movement in the new urban culture mainly in China in the years 1930 – 1945.
EN
The work of Camille Flammarion (1842-1925), French astronomer and spiritualist, is an important, though much neglected, source of inspiration of Polish literature in the 19th century. The literary Positivists (like eg. Eliza Orzeszkowa) were the first to acknowledge the astounding breadth of his vision, guided by an extraordinarily agile intelligence. However, the full scope of his influence became manifest with the next generation of poets and artists, the Young Poland movement. So Wincent Korab Brzozowski's poem in prose 'Among the Stars' (1913) is in fact a paraphrase of Flammarion's 'Uranie' (1889), 'an astronomical romance' and a spiritualist version of the dreams of a follower of the Positivist Religion of Mankind. Korab Brzozowski drew on the French model in order to reassess the experiences of an over-refined, decadent, atrophying 'I'. Ironic in tone, this reappraisal shows that he longer sticks to his youthful beliefs. At the same time, however, the self-mocking momentum leaves intact the foundation of his decadent worldview, ie. the perception of one's irrevocable loneliness.
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