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Dialog jako způsob existence v díle Richarda Weinera

100%
Jirsa T.
Česká literatura (Czech Literature)
|
2008
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vol. 56
|
issue 1
73-101
EN
The article is concerned with dialogical approaches in the works of Richard Weiner (1884–1937), which the author considers a constitutive feature of Weiner’s fiction. Similarly it considers dialogues between the implied author and the authorial narrator (whose voices, however, often overlap) on the one hand, and the reader and the characters on the other hand, and two-way dialogues between the real world and the fictional world. The author demonstrates that a characteristic feature of Weiner’s fiction, dialogicality, is not a self-serving figure of speech of Weiner’s style, but a means of enabling the reader to become actively involved in the creation of the fictional world.
2
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'IN-WORK-ASCENSION' - DIALOG - MEETING. IN THE CIRCLE OF ANDRZEJ NOWICKI'S INCONTROLOGICAL PHILOSOPHY OF CULTURE ('Wdzielowstapienie' - Dialog - Spotkanie. W kregu inkontrologicznej filozofii kultury Andrzeja Nowickiego)

100%
Barska A.
Colloquium Wydziału Nauk Humanistycznych i Społecznych AMW
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2010
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issue 2
279-288
EN
The article concerns Andrzej Nowicki's concept of the philosophy of culture and behavior. The author brings up questions of 'ascension into creation', a specific activity of a recipient, who brings his own references and meanings, the Dialog, which creates new qualities, and the Meeting, an active participation of a teacher and his student in a shared discourse of thought.
3
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Kierunki badań historii kobiet w Polsce – stan badań i perspektywy na przykładzie wybranych zagadnień

89%
Chwastyk-Kowalczyk J.
Czasopismo Naukowe Instytutu Studiów Kobiecych
|
2022
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issue 1(12)
103-121
EN
The article is a report on the state of research carried out under the grant of the Minister of Science and Higher Education under the name DIALOG in 2019–2021 and participation in the research project entitled „Women’s History Research Center”, No. 0016/DLG/2019/10 – of the research team of prof. related dr hab. Jolanta Chwastyk-Kowalczyk with PhD students: Agnieszka Śliwa, Agnieszka Warzyńska, and Emilia Pobocha.
PL
Artykuł jest raportem ze stanu badań realizowanych z grantu w ramach programu Ministra Nauki i Szkolnictwa Wyższego pod nazwą DIALOG w latach 2019–2021 oraz z udziału w projekcie badawczym pt. „Ośrodek badań historii kobiet”, nr 0016/DLG/2019/10 – zespołu badawczego prof. zw. dr hab. Jolanty Chwastyk-Kowalczyk z doktorantkami: Agnieszką Śliwą, Agnieszką Warzyńską, Emilią Pobochą.
4

EXPERIMENTÁLNÍ ZKOUMÁNÍ STRUKTURY ZKUŠENOSTI

75%
Koubová A.
Filozofia (Philosophy)
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2013
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vol. 68
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issue 5
393 – 401
EN
The article investigates the possibilities of philosophy conceived as a movement, in which cognition and self-cognition are in balance and which thus has the capacity to act on the reader as well as the author. The theatre discipline (Inter)acting with the inner partner developed by Ivan Vyskočil serves at least as the exemplification of this sort of philosophy. It is, however, intertwined with non-philosophical aspects: it is corporeal, per formative, determined by refined sensitivity as well as reflectivity. A closer view on this practice discovers structures of experience, topology of self-relationship and the relationship between the philosophical and non-philosophical which all have a more general validity. Dialogical action and its philosophical interpretation serve as an example of embodied thinking proposed by Merleau-Ponty in his Visible and Invisible. The article also shows how the resentment in the philosophical attitude can be abandoned.
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