Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 1 Slovenské divadlo (Slovak Theatre)

Authors help

  1. 1 Fujak J.

Years help

  1. 1 2024

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  DIY CULTURE
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

TEATRALIZAČNÉ A PERFORMAČNÉ EXCESY SLOVENSKEJ ROCKOVEJ ALTERNATÍVY V OSEMDESIATYCH A DEVÄŤDESIATYCH ROKOCH 20. STOROČIA

100%
Fujak J.
Slovenské divadlo (Slovak Theatre)
|
2024
|
vol. 72
|
issue 2
133 -149
EN
This paper is focused on alternative rock music in the 1980s and the 1990s in Slovakia. Within this field, the author concentrates on the specific area of the theatrical dimension of the concerts and music videos of various bands (Chór vážskych muzikantov, Karpatské chrbáty, Ľahká Múza, Bez ladu a skladu, Teória Odrazu, Jesus Underground Band, and Chiki liki tua). He interprets the eccentricities, bizarreness, and excesses of their poetics in the context of the theories of “culture from below” and “DIY culture”, as well as of defiance, criticism, and, especially, parrhesia (Michel Foucault) – open, direct speech, which is associated with various risks but, at the same time, allows one to acquire dignity. From the perspectives of music, visuals, and worldview, the eccentricities of alternative rock in the aforementioned period were expressions of inner freedom and the need for alternative articulations of a different way of life and a different artistic expression.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.