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1

MÝTIZÁCIA A DEMÝTIZÁCIA V ROMÁNE THOMASA MANNA DOKTOR FAUSTUS

100%

Sošková J.

ESPES

|

2014

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vol. 3

|

issue 2

71 – 82

EN

Thomas Mann's novel Doctor Faustus is a multi-layered work that elicits different, often conflicting and contradictory reflections, analysis and interpretation. In the novel are thematised many literary, social, historical, philosophical, musical theory and aesthetic problems. In this paper we focus on the questions of aesthetic potentiality modelled of literary event, to possible ways of perception and understanding of the literary text, its potential relationship to the real facts past and present. As a methodological basis we will use the philosophical and aesthetic concept of N. Goodman and by him explained the essence of making metaphors, "image as", exemplification and making of aesthetic semiosis. We will point out the difficulty of comparing literary text with the real reality (past and present), the problem of "mythical" and "demythical" potential of literary text in relation to the problem of art, artist, art, art perceiver.

2

ROMÁN THOMASA MANNA „DOKTOR FAUSTUS“ A HUDOBNÁ ESTETIKA THEODORA W. ADORNA

88%

Fulka V.

ESPES

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2014

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vol. 3

|

issue 2

14 – 26

EN

Thomas Mann ́s novel “Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn erzählt von seinem Freunde” (1947) is one of the most known literary works of the 20th century. The creation of this novel was closely tied with an encounter of Thomas Mann with a philosopher and musicologist Theodor W. Adorno in their American exile during the World War II. Thomas Mann ́s novel represents literary fiction of Adorno ́s theory of music and musical aesthetics, as found in the study Philosophie der neuen Musik (1949).

3

ARCHETYPICKÝ STÍN A TRANSFORMACE HUDBY V ROMÁNU THOMASE MANNA DOKTOR FAUSTUS

88%

Kozel D.

ESPES

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2014

|

vol. 3

|

issue 2

43 – 51

EN

The text deals with the novel Doctor Faustus by Thomas Mann as a source of a music-literary poetics and myth-poetics. The archetypical symbol of the shadow is interpreted and amplified through the literary character of Adrian Leverkühn and broader imagination tendencies of art and society in the first half of the 20th century. For this goal have been used approaches of the deep hermeneutics and the analytical psychology. The motif of the Faust has strong potential to express not only an archetype of the shadow, but its present is significant in the time of transformation and changes.

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3 ESPES

1 Fulka V.

1 Kozel D.

1 Sošková J.

3 2014

MÝTIZÁCIA A DEMÝTIZÁCIA V ROMÁNE THOMASA MANNA DOKTOR FAUSTUS

ROMÁN THOMASA MANNA „DOKTOR FAUSTUS“ A HUDOBNÁ ESTETIKA THEODORA W. ADORNA

ARCHETYPICKÝ STÍN A TRANSFORMACE HUDBY V ROMÁNU THOMASE MANNA DOKTOR FAUSTUS