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  1. 2 Prace Filologiczne. Literaturoznawstwo

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  1. 2 Ławski J.

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  1. 1 2018

  2. 1 2015

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Ironia i nihilizm. Figura bibliotekarza w Posłuchaniu u Lucypera Józefa Sękowskiego

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Ławski J.
Prace Filologiczne. Literaturoznawstwo
|
2018
|
issue 8(11) cz.2
83-94
PL
The subject matter of the present article is the image of library and librarian in a forgotten short story by a Polish-Russian writer Józef Julian Sękowski (1800−1858). Sękowski is known in Polish literature as a multi-talented orientalist and polyglot, who changed his national identity in 1832 and began to write only in Russian. In the history of Russian literature he is famous for Library for Reading and Fantastic Voyages of Baron Brambeus, an ironic-grotesque work, which was precursory in Russian prose. Until 1832 Sękowski was, however, a Polish writer. His last significant work was An Audience with Lucypher published in a Polish magazine Bałamut Petersburski (Petersburgian Philanderer) in 1832 and immediately translated into Russian by Sękowski himself under the title Bolszoj wychod u Satany (1833). The library and librarian presented by the author in this piece are a caricature illustration proving his nihilistic worldview. Sękowski is a master of irony and grotesquery, yet the world he creates is deprived of freedom and justice and a book in this world is merely a threat to absolute power.
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Rzeka w czarnoromantycznym imaginarium: „Zamek kaniowski” Seweryna Goszczyńskiego

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Ławski J.
Prace Filologiczne. Literaturoznawstwo
|
2015
|
issue 5(8)
455-478
EN
The subject of the present study is the image of river in the epic poem by Seweryn Goszczyński (1801−1876) The Castle of Kaniv (1828), which falls in line with the so called Dark Romanticism. The said current developed in the literature of English, German, French and Polish Romanticism. It was characterized mainly by extreme aesthetic effects, the symbolism of day and night, frenetic effects, pessimistic vision of human beings, nature, and history. Goszczyński significantly deepens this image of the world in Dark Romanticism by introducing considerably extensive aquatic symbolism, above all, river symbolism. It is mainly related to the geographical and cultural reality of Ukrainian lands, where the poet comes from. Thus the augmentation of the poetic role of the river, the Dnieper in particular.
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