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Res Publica Nowa
|
2013
|
issue 1
118-121
EN
A review of the Susan Sontag's Diaries from 1947–1963. Acording to author Diaries are rather sketch than a portrait of Sontag. She is creating herself in process of writing, documenting harsh realationships, discovering her identity and constantly, stubbornly intelectualy improving herself.
CS
This article draws upon the remarkable diaries of Vojtěch Berger to offer an original perspective on left-wing politics and the transformative effects of war, occupation, and violence in early twentieth-century Central Europe. Berger, a trained carpenter from southern Bohemia, began writing a diary at the turn of the century when he was a member of the Czechoslovak Social Democratic Party in Vienna. He continued to write as he fought for the Habsburg monarchy during World War I; moved to Prague and joined the Communist Party; endured the Nazi occupation; and questioned the Communist Party, and his place in it, after liberation in 1945. Berger’s diary speaks to two constituencies that deserve more attention from historians: Czech-speaking veterans of World War I and rank-and-file members of the interwar Communist Party. The article argues that Berger’s politics, while informed by his experiences and framed by party ideologies and structures, obtained significance through relationships with like-minded “comrades”. Furthermore, the article examines how Berger used his diary to create political self-understanding, to fashion a political self. Each world war, the article concludes, threw this sense of self into disarray. Each world war also spurred Berger to reshape his political self, and with that to reconstitute his political beliefs, his public relationships, and his sense of belonging in the world.
PL
Podstawą rozważań jest materiał językowy zaczerpnięty z Dzienników Marii Dąbrowskiej, zawierający wypowiedzi pisarki o jej wrażliwości na muzykę i sztuki plastyczne oraz przykłady świadczące o wpływie tych sztuk na sposób kształtowania wypowiedzi literackiej. Analiza materiału ujawniła, że kształt językowy Dzienników ilustruje wpływ znajomości dzieł malarskich na technikę obrazowania; w mniejszym zakresie pokazuje inspiracje muzyczne.
EN
The analysis has been based on the linguistic material taken from the Diaries of Maria Dąbrowska containing statements of the writer about her sensitivity to music and the fine arts, and examples testifying the influence of those arts on the way the writer shaped her literary expression. The analysis has revealed that the linguistic form of the Diaries illustrates the influence of Dąbrowska’s familiarisation with some paintings on her technique of depiction; to a lesser degree it reveals her inspiration caused by music.
4
61%
EN
This article shows the narrations of Polish and Ruthenian participants of Prague Slavic Congress of 1848. The main sources include diaries, memoirs, correspondence and other publications published after 1848. This publication attempts to answer the following questions: What political objectives did Poles and Ruthenians have in Prague?; What hopes did delegates associate with the congress?; How did they describe or remember events of 1848?; and finally How did they refer to the other nationalities represented at the congress?
EN
The article Chopin’s impulse. Stefan Żeromski’s „Diaries” versus Fryderyk Chopin’s output shows writer’s fascination for Fryderyk Chopin and his work. The main emphasis is put on the strength of influence of particular elements of composition on the neurotic system of Stefan Żeromski. Besides, it touches upon the synthesis of arts which the artist often referred to in his Diaries.
EN
In this article author focused on the Diaries and Memoirs of Yevhen Chykalenko. He has tried to reconstruct the process of creating these books and compare them. The author creatively developed the comparative analysis of Memoirs and Diaries, because the first book is characterized by officiality, memory idyll, positive aspects of Ukraine. Th e second one brings bitterness and a critical judgment of his own nation. To emphasize this comparison, the author used the concept of Malgorzata Czermińska’s autobiographical triangle. Reflecting on the passivity of the Ukrainian writer during the Ukrainian People’s Republic, he came to the conclusion that it resulted from the philosophy of „not opposing evil with violence” by Leo Tolstoy. Between him and Chykalenko the author found more converging parallels. Th e author then dealt with the political myths of Chykalenko, among which he distinguished his fascination with Germany. If in Memoirs we deal with an idyllic and positive image of Ukraine and Ukrainians, catastrophic visions prevail in the dairies. It shows the fall of values, as well as the triumph of barbarism that prevailed aft er the revolution of 1917. Memoirs and Diaries by Chykalenko are very important for the study of the history of Ukrainian periodicals, we learn about the realities of the press, problems with censorship, editorial work, repressions.
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2020
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vol. 19
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issue 4
81-98
EN
This article aims to describe the processes of identity changes of rural-urban women migrants in the 1950s and 60's Poland. Based on an analysis of diaries, two ways of creating one's identity in the context of social images of the rural and the urban, as well as social constructs of femininity in urban and rural settings will be described. Two models of migration process will be presented based on two diaristic narrations, analyzed with tools associated with the biographical method. Diaries will be examined in the context of contemporary modernization discourse, in opposition to conventional binary images of the rural (“backward”, traditional) and the urban (modern, active), as well as femininity models associated with rural and urban spaces. The article aims to present the female experience of migration and ways of adapting to a new lifestyle.
PL
W artykule opisane zostaną procesy przemian tożsamościowych kobiet migrujących ze wsi do miast w latach 50. i 60. w Polsce. Na podstawie analizy danych zastanych – pamiętników – opisane zostaną dwa sposoby kreowania własnej tożsamości w stosunku do społecznego obrazu "wiejskości" i "miejskości", oraz społecznego konstruktu kobiecości w kontekście wiejskim i miejskim. Dwa modele migracji zostaną przedstawione na przykładzie dwóch narracji pamiętnikarskich zanalizowanych za pomocą narzędzi właściwych dla metody biograficznej. Pamiętniki analizowane są w kontekście ówczesnego dyskursu modernizacyjnego, w opozycji do powszechnego binarnego sposobu postrzegania miasta (jako przestrzeni modernizującej się, aktywnej, nowoczesnej) i wsi („zacofanej”, tradycyjnej), a także modeli kobiecości właściwych dla tych dwóch przestrzeni. Zadaniem artykułu jest zwrócenie uwagi na specyfikę kobiecego doświadczenia migracji i opisanie sposobów adaptacji do nowego stylu życia.
EN
The article presents the characteristics and summary of the results of research conducted in the years 2013–2019 by an international team of historians at Jan Kochanowski University of Kielce, as part of two scientific projects under the program of the National Program for the Development of Humanities. Their goal was to catalog and compile the handwritten diaries and letters of Polish authors from the Western Krai in the 19th century, and to conduct research on the image of Polish exiles in Western Siberia in the second half of the 18th and in the 19th century in the eyes of Russians and the Siberian population. Source queries conducted in numerous domestic and foreign archival and library collections (Russia, Belarus, Ukraine, Lithuania, France, England) allowed to catalog over 5,000 handwritten and printed diaries and letters of Polish authors from the Western Krai and connected to this area. These studies drew attention to the scale of the problem in terms of the availability of source documentation on the above topics and the possibility of obtaining it, and indicated the need to continue this research, paying particular attention to the source and editorial aspects.
PL
Artykuł dotyczy charakterystyki i podsumowania wyników badań prowadzonych w latach 2013–2019 przez międzynarodowy zespół historyków w Uniwersytecie Jana Kochanowskiego w Kielcach, w ramach dwóch projektów naukowych w programie Narodowego Programu Rozwoju Humanistyki. Ich celem było zinwentaryzowanie i opracowanie rękopiśmiennych pamiętników i listów polskich autorów pochodzących z Ziem Zabranych w XIX w. oraz przeprowadzenie badań na temat obrazu polskich zesłańców na Syberii Zachodniej w drugiej połowie XVIII i w XIX w. w oczach Rosjan i ludności syberyjskiej. Przeprowadzone kwerendy źródłowe w licznych krajowych i zagranicznych zbiorach archiwalnych oraz bibliotecznych (Rosja, Białoruś, Ukraina, Litwa, Francja, Anglia) pozwoliły na skatalogowanie ponad pięciu tysięcy pozycji rękopiśmiennych i drukowanych pamiętników oraz listów polskich autorów pochodzących z Ziem Zabranych i związanych z tym obszarem. Badania te zwróciły uwagę na skalę problemu, jeśli chodzi o dostępność dokumentacji źródłowej dotyczącej powyższej tematyki i możliwości jej pozyskiwania oraz wskazały na konieczność kontynuacji tych badań, ze zwróceniem szczególnej uwagi na aspekty źródłoznawcze i edytorskie.
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