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La concezione pirandelliana del teatro nel teatro in Processo a Gesù di Diego Fabbri

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Kucharuk S., Fabbri L. c. p. d. t. n. t. i. P. a. G. d. D.
Lublin Studies in Modern Languages and Literature
|
2009
|
issue 33
50-63
EN
The Trial of Jesus by Diego Fabbri is undoubtedly a play written under the influence of Luigi Pirandello. The analysis presents the use of similar drama techniques which can be found in Diego Fabbri’s work and in the trilogy of Pirandello: Sei personaggi in cerca d’autore, Ciascuno a suo modo, Questa sera si recita a soggetto. It simultaneously points some differences which can be noticed in a very similar concept of theatre proposed by both authors.
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