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Antonín Dvořák: Dumka a Furiant op. 12/1, 2: studie k ediční problematice Dvořákových klavírních děl

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Kolátorová P.
Hudební věda (Musicology)
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2007
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vol. 44
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issue 1
61-74
EN
The origins of this partial source research are linked to the preparation of Dvofiák’s works for piano for publishing in the frame of the Nové souborné vydání dûl Antonína Dvofiáka (The New Dvofiák Edition, NDE). This article considers the available sources and the history of origin and publication of Dvofiák’s two piano pieces, Dumka op. 12,1 and Furiant op. 12,2. It adds new information to the previous research, and intreprets the existing sources in a new way
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"…sich den schöpferischen Vorhaben des Meisters anzunähern…": k historii souborných vydání děl českých skladatelů

100%
Döge K.
Hudební věda (Musicology)
|
2006
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vol. 43
|
issue 1
5-14
EN
This text is an extended version of a lecture, given in September 2004 at the XIIIth International Congress (“Musik und kulturelle Identität”) of the Gesellschaft für Musikforschung in Weimar. The author characterizes the most important complete critical editions, started in the Bohemian Lands from 1920s–1970s – among others Souborné dílo Bedřicha Smetany [The Complete Edition of Works of Bedřich Smetana], the so-called Studijní vydání děl Bedřicha Smetany [The Study Edition of Bedřich Smetana’s Works], Souborné vydání děl Zdeňka Fibicha [The Complete Edition of Works by Zdeněk Fibich] and the first Souborné vydání děl Antonína Dvořáka [The Complete Edition of Works by Antonín Dvořák], and he looks into their historical and ideological backgrounds.
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