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  1. 1 Kopčáková S.

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HUDBA, ZVUK A HLUK V SÚČASNOM HUDOBNODRAMATICKOM UMENÍ

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Kopčáková S.
ESPES
|
2013
|
vol. 2
|
issue 2
9 – 16
EN
The increase of noise in man’s environment is a characteristic of aural human culture of the 20th century. Its subsequent involvement in artistic culture (futurism, electroacoustic music, noise music, etc.) is a natural consequence of these processes. At its beginnings, noise, hisses, distortions, and various, originally non-musical, sounds came to be the means of expansion of potential aesthetic qualities of art. In the paper, the presence of noise elements as means of expression in the contemporary musical-dramatic genre is considered. Their aesthetic effects in alternative theatre are analysed using examples of performances and workshops at the “Academic Prešov” festival.
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