Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  ETHNO-TOURISM
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

ĽUDOVÁ KULTÚRA RUSÍNOV-UKRAJINCOV SLOVENSKA AKO FAKTOR TURIZMU

100%
Mušinka M.
Etnologické rozpravy (Ethnological Disputes)
|
2005
|
vol. 12
|
issue 2
100-104
EN
The paper deals with the tourist potential of the north-eastern Slovakian region, inhabited by the ethnic minority of Ruthenians-Ukrainians which has not been exploited yet in full. This region on the border with Poland and Ukraine includes 230 cities and villages. The author concentrates in detail on the characteristics of the cultural specifics of the region as well as the mapping of the most popular tourist sites, for example the birth places of the renowned persons, sacral wooden architecture, folklore ensembles, cultural and artistic events of various nationalities, museums, galleries and memorials as well as the natural monuments.
2

WAYS OF SEEING, SIGHTSEEING AND MIMESIS. VISUAL RESEARCH METHODOLOGY IN TOURISM STUDIES

88%
Panáková J.
Slovenský národopis (Slovak Ethnology)
|
2019
|
vol. 67
|
issue 4
399 - 411
EN
In ethno-tourism, both hosts and guests are engaged in the process of producing visible, viewable “tourist reality”. Instead of focusing either on the framing that structures the image production, or on the tourist images themselves, I shall propose a methodological approach that puts these two strands together. A touring experience in Yupik-Chukchi hamlet New Chaplino, Russia is analysed on the basis of Michael Yampolski’s concept of mimetic seeing (Yampolski, 2001); it corresponds to the key aspects of ethno-tourism – ethno-topian desire and cultural appropriation. In contrast, non-mimetic seeing parallels post-tourism. The study proposes a third category –doubling that reflects cultural interaction between the hosts and guests, in which Other is fully recognized. It is maintained that photographs do not serve just as traces of perception of other culture but also as ways of representation, which are acceptable in the local culture.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.