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1

SEMIOTIC MODELS IN MUSEUM COMMUNICATION

100%
Plokhotnyuk V., Mitrofanenko L.
Muzeológia a kultúrne dedičstvo
|
2018
|
vol. 6
|
issue 1
21 – 31
EN
This article proposes a way of formalizing the description of various types of relations between the elements of museum communication based on the semiotic approach and the concepts introduced by F. de Saussure, C.S. Pierce and C.W. Morris. Semiotic models can be used to explain the specifics of museum communication for museum studies and as a methodological basis for developing various versions of databases or other software for museum affairs.
2

MÚZEÁ BEZ BARIÉR: SPRÍSTUPŇOVANIE VÝSTAV A EXPOZÍCIÍ PRE NÁVŠTEVNÍKOV SO ŠPECIÁLNYMI POTREBAMI

88%
Jamrichová L.
Muzeológia a kultúrne dedičstvo
|
2016
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vol. 4
|
issue 2
47 – 66
EN
It is not only a legal obligation, but also a moral and ethical imperative, that every cultural institution makes itself and its activities accessible to the public which includes people with various special needs. A careful analysis of these needs and the way to address them in a person‘s day-to-day life can be an inspiration for the creation of more accessible exhibitions and expositions. This paper analyses several types of such accessibility-improving measures by type, e.g. a guiding line through the exhibition, labels in Braille, haptic models and audio guides for those with visual impairments, video monitors and sign-language guides for those with auditory impairments, improved physical access for those with reduced mobility and alike. Additionally, the author highlight various small changes to the overall active and passive communication with the visitors that can be improved to access the exhibition‘s accessibility - after all, a well-prepared museum guide can often do much more to increase the visitors‘ engagement with the museum than any special tools. The final section of the paper contains a report on a survey of current exhibitions and expositions which are aimed at special needs visitors.
3

HOW TO EXHIBIT A HUMAN MUMMY IN A FORMER MONASTERY? THE CASE OF THE BODY OF MICHAEL WILLMANN (1630–1706)

75%
Kozieł A.
Muzeológia a kultúrne dedičstvo
|
2020
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vol. 8
|
issue 4
95 – 105
EN
This paper discusses the mummified body of Michael Willmann (1630–1706) – one of the most outstanding painters of the Baroque period in Central Europe. Willmann’s mummy was preserved in the crypt of the former Cistercian monastery church in Lubiąż, Silesia (Poland). The article presents the history of the mummy and possibilities for opening the crypt and displaying it to the public, following the example of similar expositions in Europe which have found respectful and sensitive solutions for presenting the bodies of the deceased (e.g. Capuchin Crypt in Palermo and Capuchin Church in Brno). Willmann’s mummy is not only the body of an artist, but also a part of the cultural heritage of the Lubiąż Cistercians, making it worthy museification. This issue is particularly important in the context of the plans for establishing the Michael Willmann Museum in the former Cistercian monastery church in Lubiąż.
4

GRADUATES OF THE HIGHER WOMEN’S (BESTUZHEV) COURSES IN THE SERVICE IN THE STATE HERMITAGE (LATE 1910-1970-IES)

75%
Vakhromeeva O.
Muzeológia a kultúrne dedičstvo
|
2019
|
vol. 7
|
issue 2
95 – 107
EN
The article is devoted to the professional activities of graduates of the Higher Women’s (Bestuzhev) Courses in the State Hermitage Museum. They made a great contribution to the Soviet museum building, they were engaged in the restructuring of the Imperial Hermitage, scientific and exhibition work, and mastered educational field. The article is based on materials from the personal archive of N. V. Blagovo (materials Mel’nikova) and the graduates’ memories. In addition, biographies of 23 employees of the Hermitage, graduates of Courses who worked there from 1914 to 1975, are given for the first time.
5

ROMANS SUTA AND ALEKSANDRA BELCOVA MUSEUM (Romana Sutas un Aleksandras Belcovas muzejs)

63%
Vanaga B.
Makslas Vesture un Teorija
|
2010
|
vol. 13
45-51
EN
The article presents Romans Suta and Aleksandra Belcova Museum arranged in the former apartment of these modernist artists, ranked among the leading figures of interwar period Latvian art; their daughter, art historian Tatjana Suta (1923-2004) had preserved her parents' artistic legacy through the difficult Soviet times.
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