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„Ołowiana chmurka” albo melancholia Stachury

100%
Wroniszewski M.
Białostockie Studia Literaturoznawcze
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2014
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vol. 5
EN
The article is a review of Anna Małczyńska’s book "Z padłych wstawanie. O melancholii w pisarstwie Edwarda Stachury" [Rising from the fallen. On melancholy in the writing of Edward Stachura]. It places this publication in relation to modern interpretative melanchological inspirations.
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Edward Stachura "po zewnętrznej stronie urwiska"

100%
Małczyńska A.
Studia Slavica
|
2013
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vol. 17
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issue 2
197-201
EN
I start the paper with the assumption that Edward Stachura’s transgressions were his means to approach something that is most important. This is clearly visible in the internal and external borders of literature that he enjoyed crossing so much. His work could be characterized not only in terms of hybrid, crisis and ultimate end, but also as existing on the literary margins, or even further, „outside the cliff”. What I am trying to prove is the concept that while talking about what is outside literature, Stachura used the language of literature. Therefore, his literary output possesses plenty of points opening themselves for a kind of other space. Besides the poet’s and his fictional protagonists’ direct words, the urge to cross the borders of literature can be noticed in such editorial practices as the suggestive usage of blank pages, or special endings of some of his pieces,which implied not only the end of something, but also the beginning of something new. Together with Stachura’s unique interest in the concept of wholeness, oneness and totality, all these aforementioned practices prove that his literature can function as an example of works that Roberto Calasso called „absolute literature”.
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Na styku biografii i twórczości. Perspektywa psychologiczna

89%
Kuncewicz D., Kuncewicz D.
Roczniki Humanistyczne
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2018
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vol. 66
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issue 1: Literatura polska
133-157
PL
Psychologiczna perspektywa ciągłości życia pozwala spojrzeć na twórczość jako świadka tego, co autor robi z własnym życiem i sobą samym, jak kształtuje i postrzega własną tożsamość, historię życia, jakie zmiany zachodzą w czasie jego trwania. W artykule prezentujemy próbkę możliwych efektów przyjęcia takiej perspektywy i postępowania badawczego, dla którego punktem wyjścia jest pytanie: Co wybrzmiewa wyraźnie w twórczości autorów domykających własne życie i twórczość? Następnie podejmujemy próbę zrekonstruowania drogi autora, która do tego wyraźnego brzmienia doprowadziła. Nakreślona próbka odwołuje się do twórczości głównie Wisławy Szymborskiej i Edwarda Stachury, choć pojawiają się też wyraźne odniesienia do Zbigniewa Herberta.
EN
The psychological perspective of life continuity allows us to look at creativity as a witness of what the author does with his / her life and himself / herself; how he / she shapes and perceives his / her own identity, life story, what changes occur during his / her lifetime. In this article we present a sample of possible effects of adopting such a perspective and research conduct, for which the starting point is the question: What resounds clearly in the works of authors closing their own life and work? Next, we try to reconstruct the path which has led the author to this clear sound. The presented sample refers mainly to the works of Wisława Szymborska and Edward Stachura, although there are also clear references to Zbigniew Herbert.
4
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„W stronę biografii totalnej?” Buty Ikara Mariana Buchowskiego wobec projektu pisarskiego Edwarda Stachury – szkic krytyczny

87%
Szumański B.
Poznańskie Studia Polonistyczne. Seria Literacka
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2015
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issue 26
257-276
EN
This critical sketch is dedicated to a new biography of Edward Stachura by Marian Buchowski. A writer like Stachura, whose work is very closely intertwined with his life (at least in his declarations) is a challenging protagonist for a biography. In this article, attempts are made at following the way in which Buchowski tries to bring out another human being in the text. His ideas are juxtaposed and confronted with Stachura’s own life-and-art ideas, as to him looking for various methods of recording existence was among the crucial goals of writing. As a result, the thesis is put forward that some sort of a writer’s “totality” is a feature linking Stachura and Buchowski. In this context, the biography written by Buchowski is not only of importance to research into Stachura’s writing but also a significant countersignature of his work.
5
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Z Mistrzami podróż przez życie

87%
Koperkiewicz M.
Nauki o Wychowaniu. Studia Interdyscyplinarne
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2019
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vol. 8
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issue 1
211-220
EN
This article is a personal reflection on the role of a Master in one’s life. We all meet on our path people who in some way create our future. But we do not always realise it. Understanding their role in our lives allows us to implement order in our present life and impacts on our self-awareness. Through my stories about my masters and my own perception I wanted to show that often ordinary people, people around us that we might hardly ever notice or be aware of, are our true Masters.  
PL
Artykuł jest osobistą refleksją nad rolą Mistrza w życiu człowieka. Każdy człowiek napotyka na swojej drodze ludzi, którzy kształtują jego przyszłość. Nie zawsze jednak jesteśmy tego świadomi. Uświadomienie sobie roli innych ludzi w naszym życiu wprowadza pewien porządek w teraźniejszość i wpływa na kształtowanie własnej tożsamości. Poprzez podzielenie się opowieścią o swoich mistrzach i własnym pojmowaniu mistrzostwa chciałam przede wszystkim pokazać, że Mistrzami są przeważnie ludzie żyjący wokół nas, których często w codziennym życiu nie potrafimy dostrzec.  
6
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Postsekularyzm a literatura. Przykład Edwarda Stachury

71%
Kołos A.
Ogrody Nauk i Sztuk
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2011
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issue 1
PL
Referat ma na celu usytuowanie postsekularyzmu na mapie fundamentalnych zmian w polskim dyskursie literaturoznawczym ostatnich kilkunastu lat. Posiłkując się refleksją Agaty Bielik-Robson i Adama Lipszyca, najważniejszych rodzimych znawców tematu, zaprezentowany zostanie zarys kierunków kryptoteologicznych interpretacji twórczości poetyckiej i prozatorskiej Edwarda Stachury.
EN
The paper’s aim is to situate post-secularism on the map of fundamental transitions in the Polish literary theory discourse of the last several years. Referring to the reflections of Agata Bielik-Robson and Adam Lipszyc, the most important of the native authorities on the topic, the outline of the directions of the crypto-theological interpretations of the poetry and prose of Edward Stachura will be presented.
7
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“Turn back the course of a river / the course of life / that is my mission.” On the poems by Wincenty Różański

65%
Nalepa M.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2019
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vol. 55
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issue 4
99-130
PL
Artykuł jest próbą omówienia najważniejszych cech poezji Wincentego Różańskiego z ostatnich lat jego aktywności twórczej. Jest to literatura silnie zsubiektywizowana, manifestująca katolickość poety, zawierzenie Najświętszej Marii Pannie, z drugiej strony podejmująca tematykę życia codziennego, rutynowych zachowań i czynności. Dokonano ponadto charakterystyki wierszy poety poznańskiego pod względem ich relacji dialogowych i stylizacyjnych w stosunku do innych tekstów kultury, szczególnie malarstwa Grzegorza Ratajczyka oraz prozy i poematów Edwarda Stachury.
EN
The article is an attempt at discussing the most important features of Wincenty Różański’s poetry written in the final years of his creative period. This poetry is strongly subjective, manifesting the poet’s Catholicism, and entrusting himself to the Blessed Virgin Mary, but it also tackled the subject of everyday life, routine behaviors and activities. In addition, the poet’s poems are characteristic in terms of their dialogical and stylistic relations compared to other cultural contexts, especially in the case of Grzegorz Ratajczyk’s paintings, as well as the prose and poems by Edward Stachura.
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Lubelscy korespondenci Edwarda Stachury – Maria Bechczyc-Rudnicka

65%
Pachocki D.
Tematy i Konteksty
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2018
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vol. 13
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issue 8
397-406
EN
Edward Stachura spent three years of his life in Lublin. He enrolled at the Catholic University of Lublin in 1957, majoring in French Philology. In 1960 he moved to Warsaw and started coressodnance to Maria Bechczyc-Rudnicka who was a chief editor in local literary newspaper “Kamena”. Stachura published there some of his works. The letters which are stored in Hieronim Łopaciński Public Library in Lublin give us some information about writer’s life which he used to spend “in road” nad his works sent as attachments. We have letters of Stachura but not of Bechczyc-Rudnicka because at the end of his life he decided to burn all letters and photos directed to him. Thats why editors could not collect any dialog of correspondance. The letters have been read from the handwritten manuscripts, typescripts and edited (the language of the letters has not been changed). The letters appear in print for the very first time.
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Próba własnej filozofii we Wszystko jest poezja Edwarda Stachury

63%
Iwińska G.
Prace Literackie
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2018
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vol. 58
315-324
EN
This text is the presentation of Edward Stachura’s philosophy. It is not about literal philosophy, however, it concerns a system of values and views taken by the writer. The article is an attempt to read Stachura from a different side than as a poet, bard, and mediocre singer. It is a compilation of the writer’s various texts, but the leading one is a little-known work called Everything is poetry. The story-river (edited by H. Berezy, Z. Fedecki, K. Rutkowski, vol. 4, Warsaw 1984) Stachura transforms into almost a sage, into a philosopher who tries to create elementary definitions of the world, people, time and eternity. First of all, I analysed the conceptualisation of the phrase “everything is poetry” as well as attempting to explain what poetry is for the writer in general. The most important conclusion is that “everything is poetry and the least poetry is a poem; everyone is a poet and the least poet is a poet who writes poems”. Thus, he proves that he is not only an “extreme” creator, but one who seeks hope and gaps in describing and understanding the world. Ultimately, it is also a study of Stachura’s broadly understood optimism, underestimated in his work on a daily basis.
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