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Jezičnostilske osobitosti rukopisa i prvotiska Čudnovatih zgoda šegrta Hlapića u jezičnopovijesnom kontekstu

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Vignjević J.
Libri & Liberi
|
2013
|
vol. Vol 2
|
issue No. 2
241-252
HR
Usporedno čitanje rukopisa romana Čudnovate zgode šegrta Hlapića Ivane Brlić-Mažuranić i prvotiska toga romana pokazuje kako su jezičnim izmjenama načinjenima pri objavljivanju knjige narušene brojne jezičnostilske osobitosti autoričina pisanja. Ovaj rad donosi analizu jezičnostilskih osobitosti rukopisa i prvotiska te upućuje na stanje hrvatske pisane riječi i kulture pisanja na početku dvadesetoga stoljeća. Supostojanje, ali i sukobljavanje književnoga jezika i pravopisnih načela zagrebačke filološke škole i škole hrvatskih vukovaca rezultiralo je osebujnom pisanom praksom toga vremena. Jezičnopolitički diktiran smjer onodobnih promjena hrvatskoga književnoga jezika uočen je i u izmjenama rukopisa koje su načinjene u prvotisku romana Čudnovate zgode šegrta Hlapića.
EN
A parallel reading of the original manuscript and of the first printing of the novel Čudnovate zgode šegrta Hlapića [The Strange Adventures of Hlapich the Apprentice] by Ivana BrlićMažuranić reveals that the changes in the text made in the printed version disrupted many special features of the author’s writing at the levels of both language and style. This paper presents the results of an analysis of these specific features of the manuscript and the first printing, and interprets them in reference to the situation of the Croatian written language and the culture of writing at the beginning of the 20th century. The parallel existence of the Zagreb philological school with its variant of the standard language and orthographic principles, and of the philological school of the Croatian vukovci, as well as the polemic arguments between them, resulted in particular writing practices at the time. The changes in the manuscript made in the first printing of the analysed novel clearly reflect the direction of the politically influenced changes of the Croatian standard language.
DE
Aus dem Vergleich des Manuskripts von Čudnovate zgode šegrta Hlapića [Wunderbare Reise des Schusterjungen Clapitsch] mit seinem Erstdruck geht hervor, dass in den im Erstdruck enthaltenen sprachlichen Abänderungen des Textes zahlreiche sprachlich-stilistische Merkmale des Manuskripts vernachlässigt wurden. Im Beitrag wird ein sprachlichstilistischer Vergleich zwischen Manuskript und Erstdruck vorgenommen und auf dessen Grundlage die Rechtsschreibpraktiken in Kroatien zu Beginn des 20. Jahrhunderts erörtert. In diesem Zusammenhang lässt sich feststellen, dass das Nebeneinanderbestehen der konkurrierenden Sprachkonzeptionen bzw. Rechtsschreibnormen der ‚Zagreber philologischen Schule’ und der ‚kroatischen Vuk-Anhänger’ eine sehr eigentümliche Rechtsschreibpraxis hervorgebracht hat. Die im Erstdruck des Romans enthaltenen Änderungen referenzieren klar auf tagespolitischen Forderungen, aus denen die Veränderung des kroatischen Sprachkorpus resultierte.
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