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1

TYPICKÉ ZNAKY STREDOSLOVENSKÝCH NÁREČÍ VO VOJVODINE

100%
Marićová A.
Slavica Slovaca
|
2016
|
vol. 51
|
issue 1
52 - 64
EN
Slovak dialects in Vojvodina have preserved the features of the 18th century vernacular. This research aims at establishing their origin and development. This paper pays special attention to typical residual and innovative phonetic and morphological features. The analysis relies on the vernacular of Stara Pazova and compares it with other Slovak vernaculars in localities where Slovaks live. The emphasis is placed on similarities and differences in the reflexes of proto-Slavic phonemes and new phenomena. Some of the features occur in the vernaculars in Slovakia, while others have emerged in a new setting.
2
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POSTAVA MILANA RASTISLAVA ŠTEFÁNIKA V TELEVÍZNEJ A ROZHLASOVEJ TVORBE

100%
Inštitorisová D.
Slovenské divadlo (Slovak Theatre)
|
2017
|
vol. 65
|
issue 4
416 – 427
EN
This study deals with television and radio artistic, documentary, and investigative programmes whose thematic focus is the historical figure of Milan Rastislav Štefánik. The analysis examines television and radio recordings from the archives of RTVS, the Slovak Film Institute in Bratislava, and two documentary films produced by the company Kanimex. It focuses on the form of their artistic treatment as well as representation of the personality of Štefánik. In its conclusion, the study summarizes findings about the manner of interpretation of his personality in a model of an audio-visual and audial historical figure.
3

Sbírka kramářských tisků v Muzeu Prostějovska

86%
Mazalova L.
Český lid: etnologický časopis (Český lid: Ethnological journal)
|
2008
|
vol. 95
|
issue 3
293-304
EN
The article introduces the Czech broadside ballad as one of the genres of semi-popular production. It outlines its development, formal characteristics and specific features and, at the same time, points out its integration into the broader Central European cultural context. It mentions the interest of the Czech public at the turn of the nineteenth and twentieth century in this song genre and concerns more closely with the collection of broadside ballads in the Museum of the Prostejov Region in Prostejov. It presents the extent of the collection, its physical state and the stage of scientific scrutiny. It specifies the chronological and genre aspects of the collection and mentions the minor curiosities. The aim of the article was not the content analysis of the individual prints, but rather the specification of their provenance. The enclosed provenance register lists the individual printers as well as printing families dedicated to the broadside production from the end of the eighteenth to the beginning of the twentieth century. The concluding part of the article accentuates the importance of broadside prints and the need of their preservation for future generations.
4

Językowe sposoby deprecjonowania przeciwników politycznych w felietonach Jerzego Urbana z lat 1995–2000

44%
Smól J.
Język a Kultura
|
2011
|
vol. 22
47-58
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