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Ján Zápolský očami súčasníkov i následovníkov

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Frimmová E.
Historie – Otázky – Problémy (History, Issues, Problems)
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2014
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vol. 6
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issue 2
116-124
EN
This paper presents a portrayal of Ján Zápolský the man, based on historical documents and literary output. Zápolský, the only king on the Hungarian throne (from 1526 to 1540) to come from what is nowadays Slovakia, is one of the most contradictory figures in Hungarian and Slovak history. He was de iure elected Hungarian king, but Ferdinand I of Habsburg also had a claim to the throne based on hereditary arrangements, resulting in an insoluble situation which led both men to act in a way that only exacerbated the entire marasmus brought about at the time primarily by Oæoman incursions and their influence on the territory.
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The Royal Summer Palace, Ferdinand I and Anne

86%
Dobalová S.
Historie – Otázky – Problémy (History, Issues, Problems)
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2015
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vol. 7
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issue 2
162-175
EN
This essay examines the iconography of the best-known relief from the renaissance Royal Summer Palace at the Prague Castle, depicting Ferdinand I of Habsburg and his wife Anne Jagiello. It highlights its marriage symbolism and the question of the dowry. In the relief Anne, heiress to the Czech Lands, gives her husband an olive branch symbolising peace. In the context of the political significance of the palace’s decoration the relief expresses Ferdinand’s view of his claim to the Bohemian throne, based on his marriage to the heiress. Due to opposition from the Bohemian Estates, this finally became his lawful right in 1545, 24 years after the royal wedding. The Italian sculptor Paolo della Stella expressed a search for a peaceful solution to Ferdinand’s succession. The relief was carved between 1540 and 1550. The interpretations do not rule out the possibility that it was made after Anne had died (1547).
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