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In the paper, there are introduced the results of analysis of fire occurrence data and a map of spatial distribution of fire occurrence in the territory of Presov region in period 2004 - 2013. To provide the analysis was necessary to build a fire geodatabase, which contained the data that are collected at the Fire Research Institute since 1996. To visualize the data on fire occurrence we used the cartogram built in the ArcGIS environment. The results of such analysis are necessary as for providing the fire risk analyses as for fire investigation purposes.
EN
This article aims to demonstrate the meaning is attached to fire in Erna Rosenstein’s poetry and art. Based on the pioneering analyses by Dorota Jarecka, I suggest that the particularly intense presence of fire in the artist's oil paintings, assemblages and poems is driven by the need to create a constellation of random objects, myths and autobiographical material centered on the experience of witnessing her parents' deaths in 1942. By analyzing various approaches to fire, I show that Rosenstein searches for a form of invigorating and evolving destruction in her poetry (which I define as “pyrophytic art”) which would enable her to fantasize about a world after a catastrophe, a world without human life. In this approach, poetry emerges as an extension of the ideas presented in her art. Taking at times narrative, fairy-tale or mythographic forms, poetry defines Rosenstein’s artistic idiolect in a more individual way than art could, allowing the artist's voice, her own speaking self, to be emphasized and dynamized.
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