The aim of the article is to analyse two performances by the Austrian choreographer Florentina Holzinger – TANZ and Ophelia’s Got Talent based on post-cyberfeminist manifestos and Paul B. Preciado’s book Testo Junkie. The artist and the researchers deal with the relationship between body and technology. Through technology they deconstruct body, sexual identity and gender. The author of the article attempts to name the research and artistic strategies used by the aforementioned authors.
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