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Pojem národa u Františka Palackého

100%
Profant M.
Filosofický časopis (Philosophical Journal)
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2012
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vol. 60
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issue 2, Special No: Hledání ztraceného času
75-90
EN
In the revolutionary years 1848–49 the Czech historian František Palac¬ký was forced to re-formulate his response to the question What is (the Czech) nation? From starting points kin to German romanticism and to German national-liberal historiography in particular, he defines both a nation and a (national) public as well as the “basic equality of nations in rights and dignity” as necessary conditions of constitutional order. He elaborates an original solution of the relation between the cosmopolitan and the national cultures, of nation in a political and in a cultural sense, of the principle of self-determination and of shared sovereignty. He defends the thesis that in Palacký’s individual texts in the spring of 1848 we can follow his testing of the suitability of individual pre-political projects of the nation for Czech policy within the framework of the shared Danube state. He stresses particularly his relationship to the tradition which sought to transform the territorial conception of the nation, including bilinguality, into a distinctive conception of a modern nation (Bolzano/Woltmann, Young Čechie/Young Bohemia [at the time the Czech and the German designation for the Czech lands]).
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Táborský komunismus : ke genezi pojmu v historiografii 19. a 20. století

100%
Nodl M., Miller S.
Český časopis historický (The Czech Historical Review)
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2019
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vol. 117
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issue 4
906-934
EN
term Taborite communism in medievalist research of the time of František Palacký. In it, the author shows how the political opinions of historians of the 19th and 20th centuries as well as contemporary and ideological conditionality of historiographic interpretations were reflected in the changes of the terminology. To label early Taboriticism with the word communism in the Czech medievalist discourse became entirely common under the influence of the second edition of The History of the Czech Nation until the February coup in 1948. The emerging Czech Marxist historiography in the tow of Friedrich Engels, who connected the social changes in Tabor exclusively with the organization of military power and purposely did not use the term communism in relation to Tabor, in the overwhelming majority of cases replaced Taborite communism with the term the chiliastic community of property.
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František Palacký a Theodor Mommsen. K paralele pomníků

88%
Fapšo M.
Střed. Časopis pro mezioborová studia Střední Evropy 19. a 20. století. / Centre. Journal for Interdisciplinary Studies of Central Europe in the 19th and 20th Centuries.
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2012
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vol. 4
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issue 1
9-32
EN
The article provides a comparison of two monuments - one of František Palacký in Prague and second of Theodor Mommsen in Berlin. Both men were key historians of their nations in 19th century. Palacký has offered a master-narrative of Czech national past in his famous book The History of Czech Nation in Bohemia and Moravia and set the main structures of narrating Czech history for two centuries. Theodor Mommsen has become a worldwide known historian due to his extraordinary History of Rome, for which he has obtained Nobel Price for Literature in 1903. Monuments of these historians were built on the beginning of the 20th century (Palacký's in 1912, Mommsen's in 1909). The paper focuses on structural similarities between the monuments, especially in the area of collective memory. Using theory of Maurice Halbwachs that was formulated just before World War II the essay points out that there is a fundamental connection between memory and space. The essay argues that there is no significant structural difference between Palacký's and Mommsen's monument in terms of shaping the collective memory.
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T. G. Masaryk a čeští historici: dějiny jednoho nedorozumění ve veřejném prostoru

75%
Soubigou A.
Český časopis historický (The Czech Historical Review)
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2023
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vol. 121
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issue 1
7-16
EN
These wanted to defend scientific positions in historic discurse. Masaryk wanted to defend political, teleogical, religious positions in his books about history.
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Jan Hus v proměnách šesti století

63%
Čornej P.
Studia theologica
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2015
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vol. 4
19-35
EN
According to the Hussite approach, and also according to the approach of the Reformation streams, the death of Jan Hus represented a turning point in history, a return to the binding road to salvation. This is demonstrated in the Hussite chronicles, and also the depictions of Jan Hus as a witness to the first day and a Saint comparable to the early Christian martyrs. Although the Catholic environment viewed Jan Hus and the Hussites as heretics doomed to eternal torment in the flames of Hell, the preacher of Bethlehem Chapel was considered both a savvy and dangerous opponent. These two basic and extremely different approaches continued into the last quarter of the 18th century, when the Enlightenment began to present Jan Hus as a victim of conscience and the proclaimer of the primacy of state power. This interpretation, which viewed the current issues of the day in connection with Hus’ struggle, continued up until the last days of the 20th century. There is a lack of understanding of the true essence of Hus’ efforts in the contemporary Post-modern perception of the world, however. The logical results of this misunderstanding are recurrent, outdated explanations involving stereotypes, simplification and a tabloid approach.
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Z dziejów tematyki górskiej w literaturze czeskiej. František Palacký i Milota Zdirad Polák

63%
Kolbuszewski J.
Góry, Literatura, Kultura
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2018
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vol. 12
121-147
EN
The literature of the Czech national revival produced a unique type of cestopis (travel account), which, from a Polish point of view, could be regarded as an equivalent of accounts of Polish Romantic travels of fellow countrymen across their country. In the Czech literature we can distinguish a clear thematic group associated with the Karkonosze mountains. It includes M.S. Patrčky’s O Krkonošských horách (1823), Josef Myslimír Ludvík’s Myslimír, po horách krkonošských putující (1824), Karel Slavoj Amerling’s Cesta na Sněžku (1832), Karel Hynek Mácha’s Pouť Krkonošská (1833–34), František Tomsa Přátelské dopisy z cesty na Sněžku (1845), Josef Frič’s Cesta přes Friedland na Krkonoše (1846), and Karel Hanuš’s Cesta na Sněžku (1847). These works testify to an expansion of themes tackled by literature during the so-called national revival. Characteristic forms of the period conformed to the Classical, pre-Romantic and Romantic conventions. One of the most interesting themes tackled by literature in those days were the mountains. In line with the spirit of national revival, the Czech cult of the domestic was expressed in the linking of the homeland and its landscape with important aspects of Czech national identity. This convention of referring, as means of self-identification, to spatial symbolism and its vocabulary was visible in the Czech and Slovak culture in several aspects. The vocabulary of Czech national symbols now included the Karkonosze mountains, Šumava or the Bohemian Forest, the Tatras and the Blanik hill. František Palacký referred to landscape-linked symbolism in his ode Na horu Radhošť, added to his youthful work, written together with Pavel Josef Šafařík, Počátkové českého básnictví obzvláště prosodie (1818). The poem formally served as an example illustrating theoretical analyses of poetry included in the study in question. Using the fact that Radhošť was a mountain in Moravia, Palacký included the mountain as a motif in a rather unique founding myth associated with the local Moravian patriotism. Thus mountains became a representative motif of the literature of the Czech national revival. When it comes to Czech poetry, mountain motifs were introduced into it on a broader scale for the first time by Milota Zdirad Polák (Matěj Polák, 1788–1856) in his descriptive poem Vznešenost přírody (1819). Polák’s novelty lay in his introduction into Czech literature of a new genre, descriptive poem, as well as linguistic experiments (neologisms) thanks to which he developed his own poetic language. Using the category of the sublime as a tool to interpret the natural phenomena he described, Polák sought to demonstrate the richness of the forms of the world, their complexity and diversity. That is why the catalogue of motifs he used is vast. It accorded an appropriate place to the mountains with a brave attempt to concretise their motif: fragments of the poem deal with the Alps, a description of the Karkonosze mountains is highlighted and there is also a motif of volcanic eruption. Undoubtedly the most interesting and artistically the most valuable is an extensive fragment of the poem devoted to the Karkonosze mountains. The fear of the horror of high mountains, the Alps, described in the poem, found its equivalent in the writings of Jan Kollár (1793–1852), who presented his emotions associated with his stay in the Alps in an account of an 1841 journey to Italy (Cestopis obsahující cestu do Horní Italie a odtud přes Tyrolsko a Bavorsko, se zvláštním ohledem na slavjanské živly roku 1841 konanou, Budin 1843). Both writers, Polák and Kollár, were hugely impressed by the mountains, but this did not lead to any Romantic reflection on their part.
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Between Adam Smith and Walter Scott: Scottish Enlightenment and Romanticism in the Czech Culture of the First Half of the Nineteenth Century

63%
Procházka M.
Slovo a smysl - Word & Sense
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2020
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vol. 17
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issue 2
57-69
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Jak strávit exil. Francouzský král Karel X. na Pražském hradě

51%
Lenderová M., Halata M., Miller S.
Český časopis historický (The Czech Historical Review)
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2022
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vol. 120
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issue 1
37-79
EN
The study focuses on the Prague exile of the last crowned French king Charles X in 1832–1836. It notices the popularization reflection of the king’s stay, which originated in the Czech milieu from the end of the 19th century. It arises from the memoirs of Charles’s contemporaries (including members of his exile court and Josef Rudolph of Wartburg, son of the inspector of Prague Castle, etc.), from reports of the Prague Police Directorate, a collection of reports submitted to Chancellor Metternich, from materials on the accommodation and furnishings options of Prague Castle and from the related results of art-historical research of the New Palace of the castle, where the king stayed with his family and a small court. It deals with the king’s interaction with the milieu of the Czech lands. Last but not least, it then deals with the upbringing of Charles’s grandson Henry, in which František Palacký and Joachime Barrande, among others, participated.
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František Palacký, české dějiny a dvorský výzkum. Přehled a metodologie bádání

51%
Dvořáčková-Malá D., Miller S.
Český časopis historický (The Czech Historical Review)
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2021
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vol. 119
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issue 4
826-847
EN
The study deals with the birth of court research in Czech historical science and on that basis draws attention to the key trends, which are favoured by the traditional linear interpretation of Czech history. It points out the discourses and paradigms through the lens of methodological concepts and narratives, which had a direct impact on the development or background of various research topics.
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