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This article presents a summary history of the Futurist exhibitions and movement’s reception after 1944. Although at the present moment, in the face of celebrations under preparation for the movement’s one hundredth anniversary in 2009, a renewed interest is being enlivened in broad Italian public consciousness, evaluation following the WWII of the work of those artists who remained to the bitter end, alongside Marinetti, faithful to the ideals of Futurism led to a prolonged marginalisation of their works in debate relating to art and its exposition.
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