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Przeciwko nostalgii… Koncepcja pamięci we wspomnieniach Fiodora Stiepuna „Бывшее и несбывшееся”

100%
Ziomek M.
Studia Rossica Posnaniensia
|
2019
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vol. 44
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issue 1
35-40
PL
The article offers an introduction into Fyodor Stepun’s culture-making concept of memory. The thinker – one of the most intriguing representatives of the Russian emigration – criticized the emigrant milieu for its excessive traditionalism. Stepun presented the force of memory as a counterbalance to reminiscence and nostalgia, claiming that memory can prevent the Russian cultural heritage from being forgotten and ensure that it will creatively form the future of reborn Russia.
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Nowa ontologia czy „prywatna metafizyka”? Kilka uwag na marginesi „syntezy krytycznej” Fiodora Stiepuna

88%
Bohun M.
Estetyka i Krytyka
|
2012
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issue 4(26)
295-307
XX
This article is devoted to research of metaphysical inclinations of Russian Neo-Kantianism. I suppose that Post-neo-Kantian turn to „the new ontology” has its equivalent in the ideas of Russian disciples of Windelband and Rickert. I concentrate on the early philosophical views of Fyodor Stepun (1885–1965). I want to show why the project of Neo-Kantian „new critical synthesis” was failed. I present three main elements of Stepun’s philosophy: (1) his realistic inclinations (realistic interpretation of space), (2) vision/looking as the method of philosophical speculation, (3) subjective and personalistic nature of his philosophy. In my opinion these were the most important factors which caused transformation of „new critical synthesis” into religiously inspired metaphysical thinking.
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Neokantyzm Fiodora Stiepuna

88%
Ziomek M.
Estetyka i Krytyka
|
2012
|
issue 4(26)
287-294
XX
In this article I attempt to analyse Fyodor Stepun’s philosophical essay Life and Creative Activity. This treatise is in fact the thinker’s only strictly philosophical work. In his works the Russian philosopher frequently stressed the role and importance of Immanuel Kant in the development of philosophy, yet he suggested the necessity of going beyond the limits of critical philosophy. As the author intended, the essay Life and Creative Activity was the first attempt to sketch a philosophical system, which would attempt to defend and justify the idea of religious philosophy on the grounds of critical philosophy. In my article I try to describe Stepun’s philosophical idea (the philosophy of absolute) which is based on the analysis of the concept of mystical experience, whose two poles are: life (experiencing unity) and creative work (experiencing multiplicity).
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