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GENERÁCIA 90

100%
Bosáková Ž.
Slovenské divadlo (Slovak Theatre)
|
2016
|
vol. 64
|
issue 4
385 – 395
EN
The text deals with the context in which the term Generation 90, which refers to the most prominent contemporary Slovak documentary makers, was constituted and developed. It returns to the term’s author, Pavel Branko, and his analysis from the beginning of the new millennium, and then maps subsequent scholarly responses to Generation 90. In its conclusion, the paper introduces two key works of the new artistic movement, Ladomírske morytáty a legendy [The Horror Stories and Legends of Ladomir] and Hlas 98 [Voice 98].
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SLOVENSKÉ DOKUMENTÁRNE DEBUTY PO ROKU 2012

100%
Palúch M.
Slovenské divadlo (Slovak Theatre)
|
2014
|
vol. 62
|
issue 4
395 - 408
EN
The present study analyses authorial approaches and themes brought by the generational change that set in after the most successful generation of documentary makers, the “Generation 90”, switched to producing feature films. The debuting authors Miro Remo, Vladislava Plančíková, Arnold Kojnok, Adam Oľha and Patrik Lančarič draw from the creative heritage of the previous generation and their work is an uninterrupted continuation of the work of those documentary makers. A departure can be seen especially in their focus on portrait documentaries (depicting individuals, groups or themselves), the examination of subjectively perceived historical themes and their inclination towards first-person narration and the revelation of private family stories. The only documentary maker that is different from the rest is Miro Rem, who tries to keep pace with current issues. All the other documentary makers continue re-evaluating history, ‘small’ history in contrast to ‘big’ history, or examining private family stories. Besides sporadic attempts at adding interest to their film language with animated passages, they use a lot of archival audio-visual materials.
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