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Motto v českých dílech 90. let dvacátého století

100%
Müllerová L.
Bohemistyka
|
2011
|
vol. 11
|
issue 2
113-122
EN
Authoress, in her article, is describing a motto, which is a short text, a comment to the other text. Motto is explaining title of work, providing „instruction“ to its interpretation, as well as creating appropriate ambience to its perception. Authoress presents appearance of motto in thirty selected books published by different Czech publishers in the last decade of the XX century.
2

Co to jest soliloquim? W kręgu refleksji teoretycznoliterackiej

100%
Kulczycka D.
Białostockie Studia Literaturoznawcze
|
2013
|
vol. 4
171- 186
EN
The author of the article posits a quite frequent misunderstanding of literary experts and theatrologists on understanding soliloquy result from, for example, their not noticing two basic currents, along which the form has developed. She underscores various understandings of soliloquy, its various classifications, for instance, according to genology; she attempts to systematize the knowledge thereof. She verifies erroneous, mutually contracting judgments of some researchers on soliloquy and, in a way, redefines it.
3

INDIVIDUAL STYLE AND GENOLOGY

100%
Witosz B.
Stylistyka
|
2005
|
vol. 14
251-264
EN
The authoress analyses the relations between the categories of genre and of style on three different planes: (1) individual style - functional style (language variety); (2)individual style - genre style (pattern); (3) individual style - specific text. The above mentioned contexts allow to present the issues connected with the study of the individual style, which could inspire the contemporary genology.
4

Reportaż. Z historii gatunku w wieku XIX

100%
Sztachelska J.
Białostockie Studia Literaturoznawcze
|
2013
|
vol. 4
153-170
EN
The article refers to forming the genre of reportage in the 19th century, pointing at its strict connectioin with the literature of that time. The process of the genre reconstruction is hindered, on the one hand, by the morphological openness of the form related to the types of expression which appeared in the press (letter, report, journey description, feuilleton, article) as well as in belles-lettres (novella, story), on the other hand, not high opinion of a reporter’s work, usually associated with sensation and chase after novelties. Despite these hindrances Polish literature notes in the 19th century and at the beginning of the 20th century a number of splendid models of report writing, from J.I. Kraszewski, through Sienkiewicz, Reymont or Korczak, today perceived as an important stage of forming the modern interest in documentary writing.
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