Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 1 Slovenské divadlo (Slovak Theatre)

Authors help

  1. 1 Kollárová I.

Years help

  1. 1 2024

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  GERMAN DRAMA
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

DIELA NEMECKÝCH DRAMATIKOV OČAMI UHORSKÝCH CENZOROV NA PRELOME 18. A 19. STOROČIA

100%
Kollárová I.
Slovenské divadlo (Slovak Theatre)
|
2024
|
vol. 72
|
issue 1
5 – 20
EN
Enlightened reformers perceived the theatre as a space for adjusting the taste and the political, religious, and moral attitudes of the recipients. When they realized that the theatre has, or can have, a different, wider, deeper, and therefore more significant, cultural influence compared to the printed book, theatre ensembles came under the pressure of censorship and its premeditated rules about what is allowed and what is not allowed to be told, performed, and shown on stage. The study points out the reception of original and translated German dramatic works in Hungary, based on source research on censorial reviews and related sources. The censors’ argumentation reveals problematic zones, themes, and expressions in terms of the censorial triad of politics-religion-morality. Despite supervision and disciplining, the theatre gave scope not only for the enlightened education of adult audiences, but also remained a place for the artistic reflection of social issues and social criticism.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.