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EN
This paper is devoted to the reception of Jerzy Grotowski’s ideas of theatre and actors’ training system in China and Taiwan at the end of the twentieth century. The author analyses the scope of Grotowski’s influence on Chinese and Taiwanese theatre reformers, stage directors and actors/dancers at a specific moment of deep social, cultural and political transformations in Asia. She also tries to determine the main reasons for Grotowski’s popularity in mainland China and Taiwan in the 80s and 90s.
Porównania
|
2020
|
vol. 26
|
issue 1
331-343
PL
Niniejszy tekst poświęcony jest twórczości współczesnego chińskiego pisarza, dramaturga,malarza, inscenizatora i autora eksperymentalnych filmów artystycznych,Gao Xingjiana. Moim celem było pokazanie szerokich i nowatorskich poszukiwańpierwszego chińskiego Noblisty w zakresie różnorodnych sztuk i mediów w kontekścieporównawczym Wschód – Zachód, jego umiejętności swobodnego przekraczania granic sztuk, wykorzystywania zasobów rodzimej kultury tradycyjnejoraz chińskiej filozofii taoistycznej z jej procesualnym rozumieniem rzeczywistości,a także estetyki pustki i artystycznego minimalizmu.
EN
The paper is devoted to the contemporary Chinese prose and drama writer, painter,stage director and author of experimental art films, Gao Xingjian. My aim is topresent his innovative solutions in the field of different arts and media. I try toanalyze his works in a broad context of Eastern and Western culture and to showthe flexibility with which he crosses the narrow borders of arts, makes use of therich heritage of his native traditional culture, Chinese Taoist philosophy with itsprocessual understanding of reality. I also point at his interest in the aesthetics ofemptiness and artistic minimalism.
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