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« Car on ne saurait mieux dire » : la mémoire des noms et des visages dans l’œuvre de Romain Gary

100%
Viron S.
Cahiers ERTA
|
2022
|
issue 32
70-87
EN
We will examine the largely ethical vocation of Romain Gary's memorial writing project, which leads it to metamorphose itself into a literary tomb of the forgotten dead. We will then discuss, from a more narratological point of view, how this memory emerges untimely in the narrative and sometimes frees itself from it to signify the transcendent character of the name and the face. Finally, we will show that Gary goes beyond the somewhat naive vision of the memory as a mere recorder of events or images by associating it with the imagination to give it a poetic and counter-historical use.
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Trapped. Idealists in “Racines du ciel” of Romain Gary

85%
Koziej A. J.
Lublin Studies in Modern Languages and Literature
|
2019
|
vol. 43
|
issue 1
DE
Der Artikel enthält Zusammenfassungen nur in Englisch und Französisch.
EN
The study explores how Romain Gary reviews and rejects various moral attitudes in his novel The Roots of Heaven. His later novel The Kites sheds a new light at this novel from 1956. A cross reading of both novels allows to show why, according to Gary, ideologies are degenerating and what values remain unchanged.
FR
La présente étude analyse comment Romain Gary met à l’épreuve différents positionnements idéalistes dans son roman Les Racines du ciel. Son ultime roman, Les Cerfs-volants éclaircisse certain nombre de mécanismes utilisés dans le roman de 1956. Dans l’optique garyenne, tous les systèmes se détériorissent et le seul positionnement moral valable reste celui individuel. 
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