Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Ginczanka
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
The aim of the paper is to present preliminary research results on the sight-centrism of the poetry written by Zuzanna Ginczanka. The author of the article draws attention to a paradox: it is the sight that is favoured in Ginczanka’s poems, and sight is traditionally perceived as ‘masculine’, intellectual, as opposed to ‘feminine’ senses that are more focused on touch. One of the more important features of sight-centrism in Ginczanka’s works is the observation of hues which may be found in the world. The paper investigates whether colours in this poetry change after the author of Of Centaurus moves to Warsaw. The consistency of poetic imagery placing the human being in natural landscapes rather than the urban space forces the researcher to reflect on the affiliation of Ginczanka with the Skamander group.
RU
В статье я пытаюсь уловить определенную литературную и культурную черту феномена Зузанны Гинчанки, польской поэтессы еврейского происхождения. Я имею в виду 1) биографические элементы, 2) критические труды, где эти элементы обрабатываются и интерпретируются, а также 3) избранные поэтические произведения. Лейтмотивом моего размышления является понятие открытости (в смысле неопределенности), которое связываю с интеллектуальным климатом постмодернизма, но при этом отслеживаю его различные формы в жизни Гинчанки, в критических трудах ей посвященных и в ее поэзии.
EN
The article is an attempt to grasp a feature of the literary and cultural phenomenon of Zuzanna Ginczanka, a Ukrainian-born Polish poetess of the Jewish origin. It refers to 1) biographical elements, 2) their mediation in chosen critical works, as well as 3) the samples of Ginczanka’s literary output. The key concept for my investigations is openness (understood mainly as indeterminacy of meaning), which I associate with the intellectual climate of postmodernism, to trace, however, the modalities and variations of openness in Ginczanka’s life, criticism and poetry.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.