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Zmiany powierzchni górnoreglowych polan gorczańskich w latach 1954-2003

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Tokarczyk N.

Prace Geograficzne

2012

issue 128

6-16

Polany stanowią bardzo ważny element środowiska przyrodniczego Gorców. Zaprzestanie na nich wypasu i wykaszania zapoczątkowało proces samorzutnych zmian krajobrazu w wyniku zarastania polan. W artykule opisano zmiany powierzchni górnoreglowych polan w latach 1954–2003, czyli w ciągu niemal 50 lat, kiedy te nieużytkowane już obszary stopniowo ulegały renaturalizacji.

The renaturalization process, being a result of the end of grazing and mowing, leads to a gradual disappearance of glades. The total area of analyzed glades in the Gorce Mts. was in 2003 by 125.69 ha less than in 1954 i.e. – 1/3 the original. Two small glades had become completely overgrown, other had become fragmented. The rate of forest expansion had not been the same an all the investigated glades. In the Gorce Mts most of the glades are private. For this reason any protective activities conducted by the Gorce National Park encounter hindrances. A decline in biodiversity and a decrease in the tourist attractiveness of the mountain landscape are the most important negative results of the glades overgrowing.

Wojciecha Kudyby Gorce Pana

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Heck D.

Góry, Literatura, Kultura

2018

vol. 12

351-360

In the 20th century religious poetry was mainly the domain of famous poet priests; today better known are secular authors from various generations, for example Zbigniew Jankowski, Wojciech Bonowicz, Krzysztof Koehler, Wojciech Wencel and Mirosław Dzień. Standing out with his avoidance of pathos and clarity of poetic diction, Wojciech Kudyba published his first book of poetry appreciated by literary critics, Tyszowce i inne miasta (Tyszowce and other towns), thirteen years ago. It was followed in 2008 by Gorce Pana (Gorce of the Lord) — of key importance to the understanding of the role of the mountains in Kurdyba’s poetic imagination — and Ojciec się zmienia (The Father is changing) in 2011. The summa of the poet’s oeuvre so far, a selection entitled W końcu świat (Finally the world), is divided into three parts: “Inne miasta” (Other towns), “Inne góry” (Other mountains) and “Kogo brak” (Who’s missing). They correspond to his earlier volumes of poetry. The poet’s own descriptions point to the considerable signifi cance of a coherent composition of the collection. Repetitions of the various motifs resemble a rosary or a sequence of mirror reflections. Hermeneutic analyses of the various poems lead to a conclusion that harmony, questioned by the possibility of self-irony, results in the eff ect of moved form, sought after by the poet, while literary geography, fascination with the mountains and respect for epiphany balance out the irony, stabilising the emphasis on the eternal harmony of the universe present in the beauty of Gorce.

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Zmiany powierzchni górnoreglowych polan gorczańskich w latach 1954-2003

Wojciecha Kudyby Gorce Pana