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Metafizyka i synteza w sztuce współczesnej na przykładzie interpretacji dzieł Boba Wilsona, Billa Violi i Jamesa Turrella

100%
Solewski R.
Estetyka i Krytyka
|
2011
|
issue 1(20)
167-178
EN
After descriptive analysis of selected works of Bob Wilson, Bill Viola and James Turrell, the author points out the “methaphysical longing” visible during the phenomenological approach. He stresses however the necessity of hermeneutic interpretation which discovers the location of aesthetic function in poetics and deepens this way methaphysical sense or artworks, as well as it confirms the identity of receiver, according to Gadamer’s concept of Auffülen.
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Istnienie dzieła sztuki a jego tożsamość hermeneutyczna według Hansa-Georga Gadamera

88%
Sołtysiak M.
Logos i Ethos
|
2013
|
issue 2(35)
7–25
EN
The first part of the article attempts to reconstruct Gadamer’s ideas concerning auto – presentation as the ontological essence of a work of art. It also addresses the claim that relates art to the nature of truth. The second part of the article touches on the analysis of the autonomy of a work of art and connected with it – its hermeneutical identity. For Gadamer, this hermeneutical identity of the work of art is characterized by three main features: The first, and principal feature, is the consistency of a repetition of the same features of each presentation that is, the repetition of an established truth concerning reality. The second feature is the continuity of the presentation of the work of art in relation to the tradition of its interpretation. While the third feature contained within a work of art is its occasional character, that is, the specific reason for its origin and its purpose.
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