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DOBROSLAV OREL A SLOVENSKÁ HUDOBNÁ HISTORIOGRAFIA (ČESKO-SLOVENSKÝ KONTEXT)

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Petőczová J.

Musicologica Slovaca

2022

vol. 13 (39)

issue 2

167-180

The musicological work of Dobroslav Orel (1870–1942) covers a wide range of activities in the field of musical historiography. He is closely linked to the establishment of the Musicological Seminar at the Philosophical Faculty of the Comenius University in Bratislava (1921); he also established a research centre for heuristic research of musical sources preserved in Slovakia. The work of Professor Orel is described and reflected on by his disciples – Konštantín Hudec, Antonín Hořejš, Zdenka Bokesová-Hanáková, as well as by the later generation of Slovakian musicologists – Jozef Kresánek, Ladislav Burlas, Richard Rybarič, Ladislav Mokrý and others. The goal of this contribution is to provide an outline of his research into the ancient history of music as reflected in the works of Slovakian musicologists, as well as assessing his methodological points of departure from the perspective of the present state of musicology.

OD HUDOBNEJ HISTÓRIE K HUDOBNEJ TEÓRII

88%

Lengová J.

Musicologica Slovaca

2013

vol. 4 (30)

issue 2

197 – 208

The most important works by Jozef Kresánek (1913 – 1986) include the scholarly trilogy Základy hudobného myslenia (Fundamentals of musical thinking) (1977), Tonalita (Tonality) (1982) and Tektonika (Tectonics) (1994). This sequence gives proof of the lifelong effort he devoted to music theory as a musicological discipline, which enabled him to explore, within the category of musical thinking, the developmental laws of European art music in all their complexity. Jozef Kresánek began as a music historian, and in his scholarly studies, monographs, surveys and musical editions he devoted himself especially to the problems of the modern history of Slovak music from the 18th to the 20th century. In terms of methodology, he applied a synthesis of the music-historical and music-theoretical approaches. This paper makes a close analysis of the lasting contribution, as well as the period residues, in the conception of two of his works: Dejiny hudby (History of music) (1942) and Vznik národnej hudby v 19. storočí (Birth of the national music in the 19th century).

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2 Musicologica Slovaca

1 Lengová J.

1 Petőczová J.

1 2022

1 2013

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DOBROSLAV OREL A SLOVENSKÁ HUDOBNÁ HISTORIOGRAFIA (ČESKO-SLOVENSKÝ KONTEXT)

OD HUDOBNEJ HISTÓRIE K HUDOBNEJ TEÓRII